Archive for August, 2011

Esther Bio

MOORE: More Music, More Passion, More Fun with new guest blogger Esther

Editor’s Note: We are pleased to introduce Esther Moore as the latest Local Q blogger. Esther Moore. A native Quincyan, Esther has been playing and writing music since a young age and has been a staple of the music scene, both playing and organizing shows. Read more about Esther here.

My mother always told me that I would do big things if I used my head. I sort of took her advice and twisted it somewhat, deciding that my hands were much more useful than my head and definitely less confused. Little did I know that my head would be the most important part in everything that I did.

I started writing music at a young age — compositions about kittens and my insect friends, jingles about products I liked, parodies of classic musical numbers with lyrics about doing laundry or how I didn’t want to clean my room. It was all very juvenile until I hit Junior High and had my first boyfriend. I started writing real music about real things. I wrote about what I thought was love. I wrote about teenage angst and frustration and the pressures of growing older, making friends, gaining trust and losing time. I wrote mostly about what it was like to be young; to be different. I’ve been writing original music for a little over six years, and I still haven’t put everything I feel like I need to say into a song.

That’s exactly the point, though. Sometimes, it’s not about creating. Creation is a wonderful thing, whether you are painting a mural, writing a song, or building a castle. However, there are times when someone else may be able to say what you are feeling in a way that you can’t. They may put the words in order in a way you couldn’t even if you tried and tried and tried again. Sometimes, it’s more fulfilling to enjoy someone else’s creation. Something different.

Anyone who’s ever heard a song and thought, “Wow, I love this!” the first time through knows exactly what I mean. You nod to lyrics you relate to, you tap your hand or your foot to the rhythm of the music, sing at the top of your lungs, and sometimes applaud at the end. Music speaks in a way that is hard to explain until you hear that perfect song, and then you know: Music is life, love and everything in between.

Think about it. In all of your favorite movies, all of your favorite scenes: What song is playing? In all of a person’s best memories — birthdays, graduations, marriages, anniversaries, children and grand-children — there is almost always a song that comes to mind. You can go years without hearing a song that you love and the first time you hear it again after all that time, the melody and the lyrics flow through you like it’s only been an hour since the last time you heard it. Music is emotion. Music is memory.

I’ve never met a person who didn’t like music. It’s all about feeling and everyone feels. Musicians and artists take those feelings and ideas and shove them into music. Anyone who’s ever written even the simplest of melodies knows how hard it is to put all of that — sometimes years worth of thoughts and emotions — into a song. Sometimes you need words, and sometimes you don’t. We, as artists take all of that, and we make something. We create. We create something that others can relate to, which in itself is comforting. If others can relate to what you have felt and written down — maybe we’re not so different after all?

My goal is to take my passion for music and spread it as far and as wide as I possibly can. Whether it’s traveling to a show just to be able to share the experience with readers or going to a show in our very own back yard … My love for music would drive me to the ends of the Earth if I let it. I just hope that I can have some of you right there along with me, singing at the top of your lungs, tapping the rhythm on the dashboard and of course, applauding at the end.

Esther Moore

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Live events from all genres this weekend

Lisa Henry Jazz Group
WHEN: 7 p.m. Thursday
WHERE: Music Under the Stars, Mark Twain Boyhood Home, 120 N. Main Street, Hannibal, Mo.

Dave Herrero (blues)
WHEN: 5:30 p.m. Friday
WHERE: Blues in the District, Washington Park

Rag Tag (acoustic/celtic)
WHEN: 7 p.m. Friday
WHERE: Main Street Wine Stoppe, 303 N Main St., Hannibal, Mo.

Time Well Spent (country)
WHEN: 7 p.m. Friday
WHERE: Ridge View Winery, Mount Sterling

The Local Q Birthday Bash featuring Cheeks McGee, Fielder, Predawn Hour, the Cheeseburgers, Logan Kammerer and George Cate (rock/acoustic)
WHEN: 7 p.m. Friday
WHERE: Johnny Bang Bang’s, 138 N. Front St.

Wine Down with Tim Hart (acoustic)
WHEN: 7 p.m. Friday
WHERE: Spirit Knob Winery, Ursa

Parrothead Bike Night featuring the Horndogs and Phins (classic rock)
WHEN: 5:30 p.m. Saturday
WHERE: Maine Street between Fifth and Sixth streets

Me’Lisa Matson’s Birthday Bash featuring Nocebo, P. Assassin, Small Time Crook and Krazy Caucasionz (metal/rock)
WHEN: 6 p.m. Saturday
WHERE: The Cougar’s Den, Ninth and State

Fill the Silence and the Huckabutt Trio (acoustic/rock)
WHEN: 7:30 p.m. Saturday
WHERE: The New Hampshire Bar, 1000 Hampshire

St. Peter’s Picnic featuring Boulevard Band (classic rock)
WHEN: 7:30 p.m. Saturday
WHERE: St. Peter’s Church, 2025 Maine

All’s Forgotten (rock)
WHEN: 8 p.m. Saturday
WHERE: HotSpots Bar, Clayton

AD/HD (AC/DC tribute band)
WHEN: 8:30 p.m. Saturday
WHERE: Johnny Bang Bang’s, 138 N. Front St.

Eleven (classic rock)
WHEN: 8:30 p.m. Saturday
WHERE: The Dock, 1021 Bonansinga Dr.

PimpKatz (classic rock)
WHEN: 8:30 p.m. Saturday
WHERE: The Grove Inn, 6510 Broadway

The Cheeseburgers (classic rock)
WHEN: 8:30 p.m. Saturday
WHERE: Adams Trading Post, 1619 N. 735th Ave, Liberty

Acoustic Avenue
WHEN: 2 p.m. Sunday
WHERE: Ridge View Winery, Mount Sterling
For more information, go to the music page.

The Graduate performs at the State Room during the group's farewell concert.

CORNELL: ‘Graduate’ says farewell

The Graduate performs at the State Room during the group's farewell concert.

The Graduate not being around is like coming to Quincy and not getting home cooking. They turned out to be one of those consistencies in life that I took for granted. I always thought they would be out there, living the dream, but it looks like enough is enough. The end is nigh. The Graduate had a big part in the formative years of my musical preference, and let’s just say I am grateful they had a larger part than the Spice Girls CD my parents saw fit to buy me. I did lose track of them after high school, but “Horror Show” was never far from the “play” button on my iPod. From what I heard Saturday, I didn’t know what I was missing, but now that the Graduate is making like a banana, no one knows what we will missing.

Cornell

For those who haven’t been, the State Room is a relatively small venue, but is it one of Quincy’s finest. It is a little bit darker with mood lighting. There are chairs and stools as well as plenty of standing room. I thought the smell of incense was just one of the bands performing last time I went in, but I now believe the State Room has the light yet constant smell of flaming perfume.

Fielder started off the night with an impressive set. These guys have been playing a ton of shows lately, so I don’t feel the need to go crazy reviewing them. I’ll save that for the Birthday Bash. Just know they were good, and they made me glad I did not arrive late. The Forecast was also very good. I cannot figure out why their name sounds so much more familiar than their music, but it was good nonetheless. I did have a hard time making out their vocals seeing as their guitars were louder than their mics. They were friends of The Graduate and had played many shows with them in the past. The camaraderie was never more apparent than when Corey Warning hopped on stage to help The Forecast belt out their last chorus. I thought that was charming.

A guy that I recognized from high school got on stage to give the Graduate their introduction. He made note of the band’s exploits, some real, some fictitious. It was the kind of tomfoolery that you would expect from a band reliving the glory days. Video and audio of the show was also being recorded. The film is for a documentary (or rockumentary depending on your classification system). I am not sure if the audio is for that as well or if Graduate fans still have one more album to look forward to streaming in their ears.

Before I knew it, the Graduate was on stage singing my favorite song. Suddenly, I was a little bit chubbier with a gelled up faux-hawk standing in O’Griff’s East Room: the first time I ever saw the Graduate live. I can’t deny becoming a little apprehensive that the show had nowhere to go but down after hearing my favorite song right off the bat, but listening to the songs in the band’s catalogue that I had missed after “Horror Show,” I could see my assumption was wrong. The last song before the encore convinced me I needed to go back through and listen to what I had neglected. The Graduate never failed to play some of the best music Quincy has ever experienced, and it looks like they never will. It is very rare to hear the introduction, “I wrote this song about my hometown… which is right here” in a town of 40,000, especially from an internationally touring band. The music was awesome, and the environment was lively if not a little cathartic. The grand finale saw the Graduate and friends on stage belting out to fans screaming right along.

I would personally like to thank the Graduate for the great music and great performances over the years. I have a lot of great memories involving the Graduate, and I know I am not the only one who can say the Graduate played a part in their lives. I have never been so proud or shocked as when I saw “Anhedonia” on a friend’s laptop in San Diego. “They’re from where I’m from! I’ve seen them in a bar!” Only a lucky few get to experience a moment like that. It was great while it lasted, and I hope the guys are happy with their decision. A wise man once said, “The times, they are a-changin’.” An even wiser one said, “Change is usually for the better.”

Patrick Cornell

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CORNELL: Open up to open mic night

Looking back, I have to have been to an open mic night before. I don’t see how I could have made it this far in life without attending just one, but have I ever chronicled one? I think not! The concept of a musical subject untrodden by “The Breakdown” filled me with the passion to write you all up a little something-something.

Cornell

Last night, I rolled over to The Blind Pig for their weekly open mic. It goes from 8 p.m. until midnight, and this week around seven or so different people got up to share some of their favorite tunes as well as a few originals. I really enjoy watching people share their own musical creations. It is always amazing to see people get up and share a piece of themselves simply for the love of music. They did not get paid to play there, but they are just as happy. As far as covers are concerned, this open mic had a regular cover band beat. The people were not there to see the music. The music was there to entertain the people. They were not required to play “crowd pleasers” like Bon Jovi or “Kryptonite” by 3 Doors Down (which I have learned is apparently a very popular song). No, instead these artists played songs by their own favorite bands like Oasis and Say Anything. It made the music more personal and, in my opinion, more enjoyable.

I happened to run into Justin Haubrich of The Gentlemen, one of Quincy’s finest musical acts, and we chatted about the pleasant environment of an open mic night. Justin pointed out to me that there was a great community vibe happening. I am not sure if all the equipment was one guy’s, but at least the guitar was. The guitar was happily on loan for anyone who wanted to play but did not bring his or her own instrument. I thought that was very generous and trusting. Everyone in the crowd was great as well. Each table might have been having its own conversation, but everyone was sure to clap as soon as a song was over.  It was very laid back and low pressure. Everyone, the crowd and the musicians, were having a good time.

If you ever find yourself wanting to attend or, heck, even play an open mic, I recommend Thursday nights at The Blind Pig. The New Hampshire Bar also hosts an open mic every Tuesday night, but I have not attended this one and cannot vouch for its awesomeness. I imagine you could expect much the same with a little variation in terms of musical selection. Even if you don’t think you would like the harder selection there, I urge you to check it out. Variety is the spice of life.

Patrick Cornell

CountryMusic

CORNELL: In Defense of the Genre: Country

Two friends of mine recently had a disagreement regarding the enjoyment of country music. One friend was worried that she would lose “cool points” for liking country, and the other friend was assuring her that she would in fact lose those coveted points. Two things bothered me about this. First of all, this implies life is just a game, and the one with the most “cool points” is the winner. I find this idea of competition simply preposterous. I started winning that game 21 years ago and have been undefeated since. More importantly, it irked me that someone was being ostracized for the music she enjoys. For your consideration, I humbly present, “In Defense of the Genre: Country.”

Cornell

In general, I hear a lot of people scoff at country music. I am going to be completely honest so that I don’t get called out for being a poser — I used to be one of those people myself. There is an unwarranted animosity towards country, and one gets the picture that hardly anyone listens to it. The truth of the matter is that country music has the most stations of any radio music format. How’s that for popular music, eh? Radio is one of my personal preferred methods of country music reception (along with the Internet). I don’t own that much of it myself, but there is always an ample supply on hand.

Like many things, country music has a time and a place. I prefer country music to electronic when I sit on my front porch and drink beer; it just feels right. On the other hand, I would rather listen to techno at a party (unless, that is, it was a barn party and I had a jug of moonshine). What about if your dog dies? Are you going to listen to Ke$ha? I should hope not. How about a song that says exactly what you are feeling? Country music has got your back.

To the people who like country music: don’t be ashamed of yourself, and don’t let anyone ever make you feel that way. Be confident in your music choices. You have to let your freak flag fly, as they say. To those who don’t like country music (yet): Just lay off, man. You don’t have to like it; don’t make other people feel bad for doing so. You are probably just jealous that they are courageous enough to admit to liking country music in the bigoted society of Top 40. One person cannot decide what another person likes, or at least they shouldn’t. They are called my opinions for a reason. That applies to a lot more than just country music. To be honest again, I need to start doing a better job of practicing what I preach. If you like Nickelback and Creed, I should respect that. I am not responsible for how you get down.

Here is a list of songs that I believe those weary of country music might enjoy:

“Wagon Wheel” by Old Crow Medicine Show — probably my favorite song of all time

“Alcohol” by Brad Paisley — quite a good porch drinking song

“Sawdust Man” by Ben Kweller — “Changing Horses” is an altogether amazing album

“World at Large” by Iron Horse — great cover with great pickin’

“Homeboy” by Eric Church — I thought this song was about me the first time I heard it

Patrick Cornell

The crowd at Kanrockas reacts to Cage The Elephant.

PRITCHETT: Kanrockas brings rare, unique experience

The crowd at Kanrockas reacts to Cage The Elephant.

Pritchett

There will be one week that will stand out in my mind this summer.

 

Last Tuesday, I saw My Morning Jacket rock the sold out crowd at The Pageant. Then, on Wednesday, I was at Warped Tour. But, what will stand out the most was the two-day festival known as Kanrocksas Music Festival, which took place in Kansas City, Kan.

This was the first major festival to my knowledge that occurred at a NASCAR speedway, and the Kansas Speedway was transformed into a musical paradise for a weekend. The very first band that caught my attention was Fitz and the Tantrums, which sounded like Steely Dan meets The Shins. That afternoon, the talented Kid Cudi satisfied thousands of rap lovers with his impressive flow and energy.

But the highlight of the first day of the inaugural festival was no doubt the awe-inspiring spectacle known as The Flaming Lips.

The Flaming Lips' Wayne Coyne in a giant hamster ball at Kanrockas.

The giant hamster ball rolling over the crowd during their beginning of their set was epic, and the confetti cannons added a beautiful aesthetic to an incredible show. Wayne Coyne, front man of The Flaming Lips, brought out some of his famous props for the show. Such as his giant laser hands he pointed at the oversized disco ball on stage that showered the crowd with green and red lasers; Coyne’s smoke cannon along with several explosions of confetti won over the massive crowd brilliantly. Coyne and his love for everybody make his bands performance one of the most colorful and exciting shows I have ever seen. Coyne’s passion singing along with audience during  “Do You Realize” is as inspiring as it is entertaining.

Wayne Coyne's giant laser hands

Eminem was the headliner Friday night, but not even one of the most successful rappers in history can come close to putting on a show half as good as The Flaming Lips.

 

The second day of the festival, Grace Potter spoke my mind when she said, “I feel like Kanrocksas is Lollapalooza’s beautiful sister festival.” It is more accurately the newborn sister festival, but great nonetheless.

The strange thing about this festival was the spaciousness of the campgrounds and the festival grounds. At a festival hosting Muse’s laser show, the radio-friendly, rocking alternative group Cage the Elephant, and my second favorite two-piece band of my generation The Black Keys, one would think this would bring out tens of thousands of people.

MUSE performs at Kanrockas

However, in reality, I read that no more than 35,000 people attended. This aspect brought a very rare and unique experience to this brand new festival. I’m fairly certain that the people who did attend will look back years to come when Kanrockas is one of the biggest summer festivals in the country, and be able to say they were at the very first Kanrocksas Music Festival.

 

Daniel Pritchett

Kid Cudi performs at Kanrockas.

The crowd at Kanrockas reacts to Kid Cudi's performance.

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MARRA: Enjoy live music this weekend

Carl Jackson, Larry Cordle & Jerry Salley (bluegrass)
WHEN: 7 p.m. Thursday
WHERE: Music Under the Stars, Mark Twain Boyhood Home, 120 N. Main Street, Hannibal, Mo.

Eleven (classic rock)
WHEN: 7 p.m. Thursday
WHERE: Knights of Columbus BBQ

Andrew Jr. Boy Jones (blues)
WHEN: 5:30 p.m. Friday
WHERE: Blues in the District, Washington Park

Mike Coultas & Kathy Brink (acoustic)
WHEN: 7 p.m. Friday
WHERE: Clayton Old Settlers Picnic

Raised On Radio (classic rock)
WHEN: 8 p.m. Friday
WHERE: Knights of Columbus BBQ

Cole Hollow (rock)
WHEN: 8:30 p.m. Friday
WHERE: Johnny Bang Bang’s, 138 N. Front

Harlot (classic rock)
WHEN: 8:30 p.m. Friday
WHERE: The Cougars Den, Ninth and State

Certain Degree
WHEN: 8 p.m. Saturday
WHERE: HotSpots Bar, Clayton, Ill.

Cole Hollow (rock)
WHEN: 8:30 p.m. Saturday
WHERE: Johnny Bang Bang’s, 138 N. Front

Tapestry (acoustic)
WHEN: 2 p.m. Sunday
WHERE: Ridge View Winery, Mount Sterling

Looking for more information on local musical acts and venues? Go to the music page at
www.thelocalq.com.
Planning a show? Submit the details for inclusion in the calendar at www.thelocalq.com/node/1767.

Julie Ann Marra

Blaisin' Timothy perform at the State Room

CORNELL: Blending guitar riffs with box drum kicks

Blaisin' Timothy perform at the State Room

My recent interview with Blaisin’ Timothy has garnered quite a bit of attention. Over the weekend, it received nearly twice as many views as my previously highest-viewed blog. In addition to their general charisma and ravishing good looks, I imagine the interview was so successful because Blaisin’ Timothy just makes good music.

Cornell

On Friday night, the riverfront saw three talented musicians laying down some funky tracks. Blaise and Tim rocked on acoustic guitars like a young, skinny Tenacious D, but Ben on percussion really took things to the next level. Before the show, both Blaise and Tim stated that Ben was the most musically talented person in the band. Watching him essentially improvise the show on the cajón and djembe changed those statements from modest kindness to straight fact in my mind. Blaisin’ Timothy rarely has band practice, but you would never know that by watching them perform. Though they played through a few of their songs the night before at an open mic, it had been a few weeks since they played their entire set list together. An open mic is really not practice either. It is not as if you can stop and go over parts of a song again.

The format of this show was similar to their most recent show at the Blind Pig. First, the entire band played for a few songs, and then Tim played a few songs by himself followed by Blaise solo. The show ended with the whole band blending guitar riffs with box drum kicks for a few more songs. Overall, I would say that the energy of this show was considerably less than the show a few weeks ago, but the music was better. Both of those factors had to do with the audience. The music was better because the crowd was less of a distraction, but the energy was lower for the same reason. The major difference was the layout of the venue. Though roughly the same amount of people showed up, it is quite different having a crowd thinned out by three floors as opposed to shoulder to shoulder at stage level.

The music consisted of both covers and originals intertwined throughout the nearly four-hour set, and I was immensely impressed by both types of songs. The covers ranged from Blaise singing Dispatch and Dave to Tim rapping R. Kelly and Sir Mix-A-Lot. I always enjoy rap-to-acoustic covers a la Dynamite Hack or Ben Folds, and my favorite part is to see how an artist interprets a quicker rap beat into a more laid back acoustic approach. Timmy B clearly brought his own style to those songs, and I hope he continues to have fun re-imagining rhymes. As far as Blaise’s performance is concerned, I have one thing to say: I am personally not a Dave Matthews fan, and I always felt as if it was because of his voice. Blaise confirmed my suspicions. If he had a whole band backing him up, he could host his own caravan. He was also a major proponent in having the audience sing along to songs they knew. I know this has come up before, but in case you are a first time reader, I love crowd participation.

We can’t forget about the Blaisin’ Timothy originals. I don’t know if anyone else was as impressed with the duo’s songwriting capabilities as I was, but I was surprised by what I heard. With songs about love, drinking, and other drugs, they pretty much covered everything I enjoy if you include the music used to convey it. My personal favorite was Tim’s song about drinking Jim Beam with friends, but that might have been because that is exactly what I was doing.

These guys have a lot of potential. They are extremely talented and know how to entertain a crowd. It is difficult because they go to school in separate towns. They have other priorities and only keep music as a mistress, not a spouse. Either way, full time or not, if these guys keep making music, you had better hop on every $3 show you can because that offer won’t last long.

Patrick Cornell

Blaisin' Timothy

CORNELL: Music, girls and facial hair with Blaisin’ Timothy

Blaisin' Timothy

Last night, I had the opportunity to sit down with Blaise Haxel and Tim Bearden, the two main components of the band Blaisin’ Timothy. This was hands down the most fun interview I have ever conducted, and I interviewed Slaughter. It was probably because A.) these guys are super chill and laid back and B.) it was more like having a beer with friends than doing my job for the Q. Be sure to come to Johnny Bang Bang’s Friday, Aug. 5, for another hot set from the dynamic duo, which will actually be a trio with the addition of a friend on cajon. Cover is free prior to 7:30, but $3 after that. In the meantime, here’s what the boys had to say about live music, girls and facial hair.

 

Patrick Cornell

 

Cornell

Patrick: Have you guys ever been on the Internet?

Blaise: We had Myspace. We had a band called Cannonball Road.

Tim: With, you remember Justin Haubrich and Aaron Haubrich?

 

P: Oh, yeah. Well there’s this pretty hot, new website out there. It’s called The Local Q. How would you guys feel about getting interviewed for that?

T: You know what, I think we’re cool with that.

B: I’ve heard about The Local Q.

 

P: Good because the interview started two questions ago. How long have you guys been playing music, both individually and together?

T: Well, I picked up the guitar — my mom’s guitar — she showed me a couple things. Probably about five months after I did that, Blaise picked up the guitar, and I taught him everything he knows except for … most of it.

B: He taught me three chords.

T: Yep, that was all I needed to do.

B: He taught me — what was that song? And I would not stop playing it. Eddie Vedder does it … Where, oh where can my baby be?

T: Oh yeah. Four chords man.

B: Four chords, that’s right.

T: Yeah, (sings) oh where, oh where could my baby be?

B: That was the first song I learned.

 

P: When did you guys play your first show?

B: It would have been with Cannonball Road at Sheridan.

T: Or, if you’re talking strictly Blaisin’ Timothy, we did the talent show for QND.

 

P: Where is the best place you guys have ever played a show or most fun venue?

T: I’d say the State Room. Either Spring Show or State Room.

B: The Blind Pig was a lot of fun.

 

P: Where would you guys like to play, in Quincy or in the world?

T: Well we’ve got Bang Bang’s on Friday.

B: Bang Bang’s is going to be fun.

T: If we were to choose anywhere, in like a magical way, I’d probably say —

B: Radio City.

T: Radio City Hall.

 

P: What’s your favorite thing about live music?

B: The fans. Crowd interaction.

T: I just like the whole energy from it all.

 

P: If you could jam with anyone, alive or dead, who would it be?

T: I’m going to go with my favorite band ever: Led Zeppelin. I could just sit there and play, like, two chords and then just be there next to them just like (smiles as if living a fantasy) I’d be so happy.

B: I think I would want to play with O.A.R.

 

P: So the last two questions are two-parters, so there’s one addressed to one of you and one addressed to the other one. Blaise, is it hard being a rockstar as well as in a committed relationship?

B: (laughs) It’s terribly difficult. You go on the road like four hours, five hours away from home, you know. It’s tough to keep that bond, you know, at home… No, it’s not really.

 

P: Tim, is it hard dealing with all the groupies on your own?

T: You know what, it’s a lot of fun, and I like that some people are attracted to the music, and usually everyone had a good time from it.

 

P: Tim, again at you, are you ever discouraged by your lack of facial hair, compared to Blaise?

T: Most of the time, I have to say absolutely. I envy his beard, but I appreciate it all the same. It’s appreciation peppered with envy.

 

P: Ok, Blaise, have you ever considered shaving your head to make your beard more prominent?

B: That’s a really great idea! Wow! Have you ever thought about that?

P: I have.

B: And it didn’t work? You didn’t do it?

P: I mean I have the long hair. This is a pretty big commitment to just walk away from. But when it goes, that’s what will happen.

B: I’m actually thinking about growing my hair out a little bit longer. Not quite as long as yours, but a little. I’m going to keep it nice and clean for the most part.

 

P: Well that’s all I’ve got. Anything else you’d like to add?

B: We’re going to have a lot of fun at Johnny Bang Bang’s, so everyone should get down there.

 

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MARRA: Catch a wave of music this weekend

Lucky Old Sons (rock)
WHEN: 7 p.m. Thursday
WHERE: Music Under the Stars, Mark Twain Boyhood Home, 120 N. Main Street, Hannibal, Mo.

Quentin Flagg: The Hoosier Hurricane (rock ‘n’ roll)
WHEN: 7 p.m. Thursday
WHERE:Quincy Park District outdoor concert series, Madison Park

Time Well Spent (acoustic)
WHEN: 7 p.m. Friday
WHERE: Ridge View Winery, Mount Sterling

Quincy Boat Club Interclub Party and Street Dance featuring Raised On Radio (blues/rock)
WHEN: 8 p.m. Friday
WHERE: Quincy Boat Club, 501 Bonansinga Drive

The Cheeseburgers (classic rock)
WHEN: 10 p.m. Friday
WHERE: After the Gems game, QU-Stadium, 1800 Sycamore St.

Deuce Coupe ‘60s Rock & Roll Show (classic rock)
WHEN: 6 p.m. Saturday
WHERE: Benefit for Bryan Wright, South Side Boat Club, Keokuk, Iowa

Boulevard Band (classic rock)
WHEN: 7 p.m. Saturday
WHERE: One Restaurant & Bar, 600 Hampshire St.

Sequoi Drive (classic rock)
WHEN: 8 p.m. Saturday, August 6
WHERE: HotSpots Bar, Clayton Ill.

Quincy Boat Club Interclub Party and Street Dance featuring The Horndogs (classic rock)
WHEN: 8 p.m. Saturday
WHERE: Quincy Boat Club, 501 Bonansinga Drive

Highway 99 (country)
WHEN: 8:30 p.m. Saturday
WHERE: Adams Trading Post, 1619 N 735th Ave., Liberty, Ill.

Barrington Wildfire (acoustic)
WHEN: 2 p.m. Sunday
WHERE: Ridge View Winery, Mount Sterling, Ill.
Looking for more information on local musical acts and venues? Go to the music page.
Planning a show? Submit the details for inclusion in the calendar at www.thelocalq.com/node/1767.

Julie Ann Marra