Archive for April, 2012

LIVE EVENTS: Country, blues and rock in region this weekend

Matt Poss and Jared Ketterman (country)
WHEN: 7 p.m. Friday
WHERE: Johnny Bang Bang’s, 138 N. Front

Ketchum Louden Live (acoustic)
WHEN: 7 p.m. Friday
WHERE: Village Vineyard and Winery, Camp Point

Dr. Duke Tumatoe and the Power Trio (blues)
WHEN: 8 p.m. Friday
WHERE: Oakley-Lindsay Center, 300 Civic Center Plaza

The McKay Bros (cover)
WHEN: 9 p.m. Friday
WHERE: One Restaurant & Bar, 600 Hampshire

Mike Coultas & Kathy Brink (acoustic)
WHEN: 8 p.m. Saturday
WHERE: Village Vineyard and Winery, Camp Point

Wreckingball (classic rock)
WHEN: 8 p.m. Saturday
WHERE: Chasers Lounge, Rushville

End the Silence benefit concert featuring Ted Holt, Sunshine Mamas, The King Bees, Pete Magliocco, Cheeks McGee and The Texas Funerals (rock)
WHEN: 8 p.m. Saturday
WHERE: The Bling Pig, 900 N. 12th St.

Harlot (classic rock)
WHEN: 8:30 p.m. Saturday
WHERE: Adams Trading Post, Liberty

KC Groove Therapy (classic rock)
WHEN: 8:30 p.m. Saturday
WHERE: The Dock, 1021 Bonansinga Drive

Highway 99 (country)
WHEN: 8:30 p.m. Saturday
WHERE: Johnny Bang Bang’s, 138 N. Front

The Kamikaze Krush (rock/reggae)
WHEN: 9 p.m. Saturday
WHERE: One Restaurant & Bar, 600 Hampshire

Zeke Cernea (acoustic)
WHEN: 9 p.m. Saturday
WHERE: Cellar 21, 121 N. Fourth

Dave Griffin (acoustic)
WHEN: 1 p.m. Sunday
WHERE: Spriit Knob Winery, Ursa

Kathy Brink & Mike Coultas (acoustic)
WHEN: 2 p.m. Sunday
WHERE: Lake Hill Winery, Carthage

More details on upcoming shows are available on the calendar page at www.thelocalq.com.

Submit details for upcoming shows at www.thelocalq.com/node/1767.

Ami Moss and Unfortunate

MUSIC FEST: Listen to music of Ami Moss and the Unfortunate, Max Simmons here

Ami Moss and the Unfortunate, and Max Simmons are headlining the second annual Local Q Music Fest at 7:30 p.m. May 5 at Johnny Bang Bang’s, 138 N. Front in Quincy. Both are Chicago acts making their Quincy debut.

“I’m actually really excited to play for the fest, and I’m really excited to even take a little bit of time to look around,” Ami Moss said. “It just looks beautiful.”

Moss is a jazz and blues singer with a contemporary bluegrass spin, with Joby Morey on string bass and piano, Brach Siemens on guitar, and Ed Bialach on drums. Simmons started writing songs with Moss, his sister, before branching out to write his own music.

“We’re often compared to that jazzy, folk, soul, pop sound, which is a lot of genres,” she said. “The sound I’m likened to a lot is Adele or Amy Winehouse or sometimes Nora Jones. We’re a bit eclectic. We’re influenced by many genres of music.”

HERE ARE SOME TRACKS FROM AMI MOSS AND THE UNFORTUNATE:

01 Don’t Waste Your Life

02 Fashion Is Idolitry

03 Love Me Up

04 Lately I Go Walking

CHECK OUT A VIDEO OF A PERFORMANCE BY AMI MOSS AND THE UNFORTUNATE HERE:

CHECK OUT A VIDEO OF A PERFORMANCE BY MAX SIMMONS HERE:

ComScore

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VAN DYKE: A Conversation with former Quincyan Ryan McKay, now with Crash Street Kids

I recently caught up with my old friend Ryan McKay, formerly of the Quincy area band Stoner/McKay.  As some of you know, that band ended around 1996 or so.  He now lives in the Phoenix, Arizona, area. He has a band out there that I think is very interesting, so I decided to do a profile of them.  The name of the band is Crash Street Kids.  Ryan is the lead singer and guitarist.  He is joined by Ricky Serrano on guitar, Deuce Gregory on bass (and a lead vocal from time to time), and the legendary A.D. Adams on drums.  They have released four studio albums to date:  “Let’s Rock and Roll Tonight,” “Chemical Dogs,” “Transatlantic Suicide,” and “Sweet Creatures.”  They have also released a live album, “Live From the Waist Down.”  All are available on iTunes and good record stores everywhere.  I asked Ryan a few questions about the band and their sound:

Van Dyke

DVD:  Where did you get the concept for the first three records?
RM:  The first record’s idea was simply to make it sound like a 1970s rock concert.  Admittedly, it was very loose.  It wasn’t until the second album, “Chemical Dogs,” that we decided to make the whole album part of one concept.  We thought we would explore who was the person who performed this concert from the ‘70s, what was going on behind the scenes.  From there the ideas really started coming in left and right.

DVD:  Was it planned to do concept records or did it just happen that way?
RM:  In my mind, yes! I don’t think the other guys knew it was happening until midway through the second album!  I love concept records, good and bad.  I think it creates an interesting listening experience.  I always enjoy taking records in as a whole instead of picking singles. Not a fan of ‘greatest hits” compilations and the like.  I love seeing where an artist’s head was at in any given year.

DVD:  How did you get into so-called ‘glam rock?’
RM:  My brother Kevin and my cousin Kory were responsible for bringing a KISS record into my house.  I was probably about 6 years old.  I was shocked, scared, but ultimately fascinated by the look and sound.  I also around that time got a handful of Alice Cooper records, so you can imagine my psyche was wrecked! I discovered Bowie much later and even later still drummer A.D. told me about other great bands like Mott the Hoople, T. Rex, Sweet, Slade, etc.  It’s important that I make the distinction between ‘70s glam and ‘80s.  The ‘80s variety doesn’t interest me even though I grew up during it.  I prefer the original.  It took great British bands like Beatles, the Move, Idle Race, and incorporated that sophistication to the music.

DVD:  Your newest record has a song called ‘Bang, Bang, You’re Beautiful.’ I am surprised that the local venue with a similar name has not approached you to do a show there.  Have you given any thought to playing in Quincy again?
RM:  Yes, we’d love to come play in Quincy. I had a blast last summer when I came to visit.  I still have a lot of close friends and great memories there.  We’ve been talking about tour possibilities and so much of it is still up in the air.  Unfortunately, money is so tight and gas is so high that it makes it increasingly difficult to tour for great distances.  Hopefully we can make it to Quincy. That place is a great club. I love the view.

DVD:  It seems like guitars are really in your face on most acoustic songs that are on rock radio these days (it’s bad enough that they all suck).  The acoustic guitars actually sound like acoustic guitars on your records.  Is there anything in particular you did to get that sound or is it just the guitar that was used?
RM:  Thanks!  Ricky Serrano (guitarist) and I are big on vintage guitar tones; Les Pauls and old Marshalls. We also use amps handmade by our good friend Gary at Glaswerks Amps.  He’s great at catering to our tonal desires.  The main acoustic guitar is a 1971 Gibson J-45 that sounds amazing no matter what mic you put in front of it.  I also have a Fender 12-string acoustic that I’ve used quite a bit.  That one sounds good too.  The most important thing about guitars on record is don’t over-think it.  Don’t over EQ it. And PLEASE, don’t go layering eight guitars on top of one another! If Jimmy Page didn’t have to, then you don’t either.

DVD:  What are the band’s plans for the future?
RM:   I love this question because I can channel my inner Gene Simmons.  Alright, belt in, here comes my used car salesman routine! We have a new record called “Sweet Creatures” that is available at your local record store and itunes.  We also have a new video for the second single called “Sad Julia.”  You can see that on YouTube or our website (www.crashstreetkids.com). I can’t stress to you enough how you are really missing out if you don’t see this video because of the beautiful Mysti Moon. Our video guru Nick Orciuolo is in the edit bay now working on a second video for “Mary, Queen of the Rock.” We have some plans to start work on a new album this spring and get out and play as much as possible.  I’m sure there will be more drunken adventures down at our studio (Shabbey Road) that may or may not land one of us in jail.

Here are some links to explore the world of Crash Street Kids.

Sad Julia video – http://youtu.be/2S2v1Go0bg8
website – www.crashstreetkids.com
YouTube channel – http://www.youtube.com/user/crashstreetkids/videos
Facebook – http://www.facebook.com/pages/Crash-Street-Kids/75511868391
Twitter – @CRASHSTREETKIDS

Don Van Dyke

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VAN DYKE: Bass solo, Take one

Possibly the most overlooked member of any band is the bass player. Some may say that drummers are the most overlooked because they are always in the background surrounded by their equipment. Insert Tommy Lee joke here. The drummer and bass player set the foundation of a song. Think of a song being like a sandwich. The meat is the melody, the veggies are the chords and the bread is the bass and drums. Things like guitar riffs, solos and lyrics are condiments. If you do not use good quality bread, the whole thing just falls apart.

Van Dyke

Bass playing is not as easy as it seems on the surface. There is quite a bit to know in order to be good at it. I started playing bass because of an opportunity. I played guitar a little bit and happened to be in the right place at the right time and found myself in a band playing bass. I thought it would be easy. I found out pretty quick that you really have to develop an ability to feel where the drummer is going to go in order to keep the foundation level. This is not something that can be done overnight, it takes a lot of practice and sitting in your basement with your iTunes library is not going to get it done. It takes a lot of live practice playing with real people. Practicing by yourself is important, but it is not the same. You can learn the notes and the changes and practice them 12 hours a day, but until you are actually interacting with other players, you are not going to learn what bass playing is all about.

There are several great bass players in the area that you should check out. Pretty much every band I have seen around here has a decent bassist. I do not want to mention anyone by name because I do not want to leave anyone out. Just let me say that you need to get out there and see some of them, preferably all of them. They are all way better than I ever was, but hey, who isn’t?

Some of my favorite bass players are obvious because they are just beyond good. There is no need to list them because everyone knows who they are already. I will just point out some places to find excellent playing.

I cannot believe that I never knew how great of a bass player Glenn Hughes is. If you don’t know who he is, find out. He has worked with a ton of people and is mainly known as a vocalist, Most recently he has been with Black Country Communion. Great stuff.

Old ‘70s rock has great playing all over it. Foghat, Alice Cooper, the Stones, Bowie, glam, southern rock. Just about anything from 1970-‘77 has something to offer.

Even those ‘60s Motown records have some incredible bass playing on them. But for me, the best bass playing I ever heard was on some live recordings of James Brown. He had some of the best musicians. Wow. Swing bands have some great players too, like my good friend Michael Gerbino in the Louis Prima, Jr. band. He is a dedicated bassman that can play any style and knock it out of the park every time.

So what am I trying to say? I am trying to say that you need to reconfigure the equalization on the cd player in your car, on your mp3 player, or whatever you listen to music on, so you can hear what the bass player is doing (or isn’t doing in my case).

Now, get out there and listen to some local live music and watch the bass player.

Don Van Dyke

LIVE EVENTS: Where to find music this week

Twista (rap)
WHEN: 7:30 p.m. Thursday
WHERE: Johnny Bang Bang’s, 138 N. Front

New Hampshire Madness 2 featuring Mob Action, Nocebo, Krazy Caucasionz and P. Assassin (rock)
WHEN: 7 p.m. Friday
WHERE: The New Hampshire Bar, 1000 Hampshire
COST: $4.20

Saints Avenue Opry (country)
WHEN: 8 p.m. Friday
WHERE: Lewis Street Playhouse
Canton,Mo.

Smokin’ Mojo Kings (blues)
WHEN: 8:30 p.m. Friday
WHERE: Johnny Bang Bang’s, 138 N. Front

George Cate (acoustic)
WHEN: 9 p.m. Friday
WHERE: One Restaurant & Bar, 600 Hampshire

Raised On Radio (rock/blues)
WHEN: 8 p.m. Saturday
WHERE: RT & Honey’s Saloon, Augusta

Catfish Willie (southern rock)
WHEN: 8:30 p.m. Saturday
WHERE: Johnny Bang Bang’s, 138 N. Front

Eleven (classic rock)
WHEN: 9 p.m. Saturday
WHERE: One Restaurant & Bar, 600 Hampshire

Jam Session featuring Huckle Buck, King B, Damn Stingers, Harlot and Blue Eye Soul (rock)
WHEN: noon Sunday
WHERE: South Side Boat Club, 640 S. Front St.

Community Park Clean-up featuring Esther Moore, Sunshine Mamas and Fielder (rock)
WHEN: 2 p.m. Sunday
WHERE: Gardner Park, Third Street north of Locust

Smooth Sounds Band (acoustic)
WHEN: 6 p.m. Wednesday
WHERE: One Restaurant & Bar, 600 Hampshire

More details on upcoming shows are available on the calendar page at www.thelocalq.com.

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VAN DYKE: That’s news to me

I was watching the news today and I wondered where people go to get music news these days.  No one really buys magazines anymore, and there really is nothing about music on TV other than award shows (garbage) and cable/satellite channels that are in the expensive plan (I get to write mine off as a research expense). The Internet is a wonderland of information, but where is the good stuff?

First, some history…

Once upon a time there were locally owned record stores.  In these stores were people who knew a thing or two about music.  They would tell you what the best new bands were going to be and which ones you should check out based on what you bought or looked at in the store. They would also know about current artists and what albums would be coming out and usually would have some industry gossip about who was going on tour with who, or what singer is getting kicked out of what band for wanting to be a movie star or whatever.  Eventually, these stores were eaten by the national chains, never to return. If you go to larger cities, you can find a few of these stores still open. You should really check them out. It sure beats clicking around on iTunes or Amazon.com.

Sometimes, those same record store clerks would moonlight as radio personalities.  They actually played the songs and told you something about the artists once in a while.  They would tell you when acts would be in the area so you could go see them live, sometimes letting you know if it was worth your time and money, which was pretty cool, I thought.  A few of these old dogs are still around and going strong.  Explore your radio dial sometime, you will find them.

Van Dyke

When MTV was launched in 1981, it provided 24 hours of music videos, concerts, and music news.  It was really great for a while, but now they really need to look at changing the name to Music-less Television or Moron TV because all that it shows anymore are ‘reality’ shows. Even that is a misguided label.  The only reality about the shows on MTV is that most of the people on them would need to go to night school to evolve a thumb, as comedienne Judy Tenuta would say.

So with those avenues of information blocked off, where can one turn for music news in today’s world?  The internet, of course!  These are some sites that are fairly decent and others that are fairly indecent.  I’ll let you do your own exploring, but here are a few starting points.

Rollingstone.com — very much like the magazine, it contains news and features about movies, tv, and politics.  Boo!

MTV.com — it has music news, but why bother? Just go to the bottom of the page and click on the ‘suggestion box’ link and tell them to change the name, in your own words, of course.

Blabbermouth.net — this is more of a hard rock/heavy metal site created by Roadrunner Records.  It has news, but I go here to read all of the user comments.  They are downright hateful and let me tell you, it is hilarious.  You can usually tell by the headlines where the entertaining responses will be.  One of my favorite sites for this reason only.

Band and artist ‘official’ sites — These are a little hit and miss.  Some have a band-appointed ‘webmasters’ and some are run by the record company or a publicity firm.  You can usually tell pretty fast which are which.  A lot of artists use Facebook and Twitter in the same way. Sometimes the artist actually does the typing, but a lot of times they do not.

Wikipedia.org — this site is constantly updated and has a lot of information about band and artist history.  Sometimes ‘haters’ will go in and place ‘facts’ about bands that are amusing. They are usually found on polarizing groups like Nickelback that people either love or hate.  It is always a good day when I stumble on these.

I am hoping to do a few posts on some local artists from the past, present, and future. Any suggestions?

Don Van Dyke

LIVE EVENTS: Who’s playing where this weekend

Zeke Cernea (acoustic)
WHEN: 8 p.m. Thursday
WHERE: Cellar 21, 121 N. Fourth St.

Krazy Caucasionz, P. Assassin, and F.O.E. (hip-hop)
WHEN: 8 p.m. Friday
WHERE: The Cougar’s Den, 509 S. Ninth St.

ShowBaby, Harlot, PimpKatz, Nocebo (rock)
WHEN: 8 p.m. Friday
WHERE: Turner Hall, 926 Hampshire St.

Cheeks McGee and Rick Ryder (acoustic)
WHEN: 8 p.m. Friday
WHERE: The Blind Pig, 900 N. 12th St.
Steven Woolley (blues)
WHEN: 9 p.m. Friday
WHERE: One Restaurant & Bar, 600 Hampshire

Kathy Brink & Mike Coultas (acoustic)
WHEN: 1 p.m. Saturday
WHERE: Collver Family Winery, Barry

Raised on Radio (rock/blues)
WHEN: 8 p.m. Saturday
WHERE: Steak Fry at Keokuk Yacht Club

13 Stitches (classic rock)
WHEN: 8:30 p.m. Saturday
WHERE: Johnny Bang Bang’s, 138 N. Front

Wrecking Ball (classic rock)
WHEN: 8:30 p.m. Saturday
WHERE: Adams Trading Post, Liberty

Ticket 2 Ride (rock)
WHEN: 9 p.m. Saturday
WHERE: One Restaurant & Bar, 600 Hampshire
ShowBaby and Harlot (rock)
WHEN: 9 p.m. Saturday
WHERE: River City Billiards, Hannibal, Mo.

Diamonds In-the-Rough (acoustic)
WHEN: 6 p.m. Wednesday
WHERE: One Restaurant & Bar, 600 Hampshire

More details on upcoming shows are available on the calendar page at www.thelocalq.com.

HETFIELD METALLICA

VAN DYKE: Dumb things in music

Recently, I listened to a comedy album by Sebastian Maniscalco called “What’s Wrong with People?”  It deals with some of the stupid things he sees people do that are just not tolerable.  He is very funny and one of the top five comedians out there today, in my opinion.  It reminded me of some of the dumb things that have happened in the music industry over the years and things that just do not make sense to me.   Here are a couple of examples:

Bands playing ‘unplugged’ or with an orchestra — The unplugged craze has just been done to death.  The thing that I do not understand about this is that most bands just play the song on acoustic guitars and drums exactly the same as the original version.  What is interesting about that?  I am glad this craze has not made it to the restaurant business.  Would they give you the same dish, just not cooked?  Now, there are some that actually re-arrange the song for acoustic instruments and give you a reason to listen.  Then there are the orchestral performances where a band like Metallica plays with an orchestra at full volume.  I have only heard one of these I liked and it was by Cheap Trick, if you can believe that!  They are great band, but I have to admit I was a little disappointed when I saw they did this.  Then I heard it.  It was really good.  That is the only one I have liked so far, though.

Cover songs — I have heard several cover versions of songs that I view as classics.  I am not talking about local or up and coming artists doing these songs, I am talking about major label recording artists.  Much like the unplugged stuff, most seem to play the song exactly like the original, which to me is pointless.  If you go to a fancy restaurant, would you be OK with them serving you their version of a fast-food hamburger?  It tastes almost like the original, but you gotta pay $12 for it and feel awful the rest of the day.

In general, most music today is just not that good.  Why is that?  Is it because I am too old to understand the new stuff?  That may be part of it, since I doubt that I am the ‘target audience’ record companies are marketing to.  While I freely admit that I am not a fan of most new music, I can tell when something is good or bad.  And most music coming out today is bad.  It is like paint by numbers but with music.  Everything is broken down and perfected piece by piece.  Vocals and instruments are able to be tuned and timed to perfection and I feel that this takes most of the humanity and personality out of it.

Technology has removed most of the limits on artists as far as what can be done in a recording studio and by doing so has made them more limited creatively than ever before.  Think of it this way.  If you are hungry right now and have a thousand dollars in your pocket, you do not have to be terribly creative to get yourself something to eat. However, if you are broke and in the middle of nowhere, you will need to use your brain and creativity to figure out a way to feed yourself.  I know that is not quite the same, but you get the idea.

A true musical artist has a vision in his/her head that they are trying to translate to a song or piece of music.  For a lot of them, the part they like the most is the journey between their brain and the finished product.  When this is effortless, it takes some of the fun out of it for them and a bored artist makes for dull, brainless music.  Just like most things in life, the art of music is about the process, not the result.  This seems to be a recurring theme in these blogs.  Life is about the journey, not the destination.  It is like a record.  Let it play through, do not skip too many tracks or you will scratch it up…

Don Van Dyke

LIVE MUSIC: Hop on over for live music this Easter Weekend

Cheeks McGee and Keith Franx (blues/jazz/rock)
WHEN: 6:30 p.m. Friday
WHERE: Johnny Bang Bang’s, 138 N. Front

Phil Stendek (loop artist)
WHEN: 9 p.m. Friday
WHERE: One Restaurant & Bar, 600 Hampshire

Blues on the Bluff featuring Keith Franx (acoustic blues)
WHEN: 1 p.m. Saturday
WHERE: Spirit Knob Winery, Ursa

Crossroad Country Opry
WHEN: 6 p.m. Saturday
WHERE: Unity High School, Mendon
COST: $7.50 advance, $8 at the door

Big Daddy and the All Star Gypsy’s (rock)
WHEN: 8 p.m. Saturday
WHERE: The Blind Pig, 900 N. 12th

Nova 6 (classic rock)
WHEN: 8 p.m. Saturday
WHERE: The Village Vineyard and Winery, Camp Point

Raised On Radio (blues/rock)
WHEN: 8:30 p.m. Saturday
WHERE: Driftwood 13, Keokuk, Iowa

Well Hungarians (country)
WHEN: 8:30 p.m. Saturday
WHERE: Johnny Bang Bang’s, 138 N. Front
Cosmic Cow (cover)
WHEN: 9 p.m. Saturday
WHERE: One Restaurant & Bar, 600 Hampshire

Big River Swing Machine
WHEN: 7 p.m. Wednesday
WHERE: One Restaurant & Bar, 600 Hampshire

More details on upcoming shows are available on the calendar page at www.thelocalq.com.

For information on bands and concert venues, go to the music page at www.thelocalq.com.

Submit details for upcoming shows at www.thelocalq.com/node/1767.

VAN DYKE: The Hall of Fame Hall of Fame

The Hall of Fame Hall of Fame has completed its annual induction balloting. Again this year, no hall has met the requirements or gotten the one vote necessary for induction. Eligibility is rather simple as there are only two stipulations. The first is simply to be a hall of fame. The second is to really be a hall of fame.
All halls of fame are flawed, but two of them are the most discussed: The Major League Baseball Hall of Fame and The Rock and Roll Hall of Fame. I could go on and on about Pete Rose or how Sosa and McGwire literally saved baseball, but this is a music blog.

Van Dyke

The Rock and Roll Hall of Fame is a joke. I have yet to hear anyone disagree with me on that point. It is as much about who is in as it is about who is not. Metallica is in there. No one was a bigger fan of
Metallica during their heyday than I was. I just have a hard time understanding how they would be put in before Motorhead or Iron Maiden. Even Judas Priest is not in and they have been around forever. They
recently did an album about Nostradamus and it was not because he fascinated them. It was because they used to open for the guy.
Madonna? Don’t get me wrong, she was a pop culture icon back in the ’80s and had an influence on a lot of artists. She just seems to be the only artist from that decade inducted. Where is Duran Duran? They were
everywhere back then. They even left Hall and Oates out and Huey Lewis. It seemed like they had four songs out at a time when I was growing up. Van Halen is in, but no Motley Crue? I am pretty sure the Crue had
something to do with the millions of bands that popped up out of the LA scene.

They have left almost entire genres of rock out. Glam rock is not entirely David Bowie. What about Sweet, Slade, Mott the Hoople, T. Rex, or the New York Dolls?

I will list some significant snubs at the end. Right now what I think are the major omissions:

1) Kiss — Say what you will, but they had a huge impact on the music industry and should be in there. Thanks to Gene Simmons, I am beginning to think they are being left out because the museum would need to be expanded to house all their merchandising.

2) Rush — Every musician I have ever discussed music with has mentioned this band. Every artist I have followed in rock music in the ’80s up to today lists them as an influence.

3) Stevie Ray Vaughan — The influence of this man is heard just about everywhere a guitar is playing. He was stolen away from us much too soon. I truly believe it was because Hendrix wanted to jam with him that much and called in a favor.

So better luck next year, halls. You know Pete Rose may have bet on baseball, but I am pretty sure he never started a riot that tore up a stadium. Not to say Guns ‘n’ Roses ever bet on Rock and Roll. They are in.
They deserve to be. I guess this makes you the front runner next year, Rock and Roll Hall of Fame. Don’t blow it. Again. I may be wrong, but that is my right.

The 27th annual Rock and Roll Hall of Fame induction ceremony will take place April 14, 2012, in Cleveland, Ohio. Among the inductees are: Donovan, The Beastie Boys, Red Hot Chili Peppers, and Guns’n'Roses.

Those not among the inductees are: Deep Purple, Styx, Bad Company, Chicago, The Doobie Brothers, Cheap Trick, The Commodores, KC and the Sunshine Band, The Cars, The Guess Who, Electric Light Orchestra, Kansas, Jimmy Buffet, The Steve Miller Band, Ozzy Osbourne as a solo artist, and Weird Al Yankovic to name a few.

 

Don Van Dyke