Music

albums

VAN DYKE: Catching up with some vinyl

So, as I was saying at the end of my last post, my idea of what an album should be has all but vanished. Today’s studio wizardry and digital recording mediums have removed a lot of the constraints that artists had on them previously. Time is no longer an issue for albums. CDs can hold around 80 minutes of music, which is the equivalent to almost 23 3 1/2 minute songs. Most artists do not go that far, but they could if they had the material.

Van Dyke

I think this causes a lot more mediocre songs to get on the albums. The same problem has been caused by recording technology. There is so much available to an artist that there is little room for creativity any more. If you want a sound, you can just dial it up on the computer or on a synthesizer. It is way easier to do that than go find someone to play it. It is kind of like frozen dinners. They are cheap and easy, but what do they taste like?

As you may know, I am old. That means that the first section of my music collection contains records, the second section contains cassette tapes and the third contains CDs. My collection also has a digital wing, which houses all my CDs plus an ever-growing pile of MP3s. It took many an evening (and a couple of CD drives) to get all of the CDs digitized. I completed that process about seven or eight years ago.

My turntable broke back in the late ‘90s and I never replaced it. I spent the last few years looking at ways to be able to convert my albums to digital. I was online and found some turntables with a USB cable and software designed to do just that. I was on the checkout screen many times, but was just not able to bring myself to submit the order. I got in the habit of looking at them when I saw them at stores and in the ads from the Sunday paper. I guess my wife noticed, because she got me one for Christmas last year.

So, I managed to get the thing hooked up, converted my first album, and it worked great. The only problem is that unless your records are absolutely scratchless, you have to manually insert the breaks between songs. This means that you have to sit nearby and click on the “next song” button. In other words, you have to actually listen to the entire album. I was not thrilled with this idea until I converted my second album and realized how awesome a situation this was.

First of all, this is something my wife gave me as a gift. If I enjoy it, that makes her happy. Couple that with the “torture” of sitting all by myself in the basement forced to listen to some music that I had not heard in years. Surrounded by an assortment of records and beverages, I dive into the vaults several times a week and find some absolute classics, good and bad. The great albums stick to the 45 minutes or less idea, so I am able to get through them at a good rate.

Here are a few of the “treasures” I found:

Aerosmith – Live Bootleg: This is probably one of the best live albums I ever heard. Joe Perry and the boys at their absolute best. It has really cool packaging that is supposed to make it look like an actual bootleg recording. They even “forgot” to list one of the tracks on the cover.

Jesus Christ Superstar: At the recommendation of my friend, Ryan McKay, I bought this album for a dollar at the Salvation Army store on Maine Street even though I had no turntable. It features Ian Gillian of Deep Purple, Murray Head, and Yvonne Elleman. It is kind of an oddity, but has some cool parts on it.

Paul Simon – Still Crazy After All These Years: A great, mellow album. His third solo record. If you are not a fan of Paul Simon or Simon and Garfunkel, today would be a good day to check into it.

King Diamond – Abigail: The King’s vocal style is just crazy. It was priceless to see my kid’s faces when they heard the opening verse of “The Family Ghost.” It is a concept album about something evil. Oops, spoiler alert!

The Rolling Stones – Their Satanic Majesties Request: The cover of this one was too weird to avoid buying it. It has a 3D picture glued to it and if you hold it right, you can find the faces of all four Beatles, among other things. It has some good moments, but I cannot say it is anywhere near their best work.

Barry Manilow Live: Actually, this belongs to my aunt, but it is here. I spun it and it is not terrible. There is a silly medley of commercial jingles in there, the hits, and the misses.

George Carlin – Occupation Foole: The first comedy record I ever heard. George was one of the funniest people who ever lived. I know this is a music blog, but the comedy album is a lost art form as well.

Forever – Forever and Ever: The first local music I ever bought. While listening to this one, I was back at the Starlite all those years ago getting my face ripped apart by Steve McCarley’s shredding guitar solos. Steve, along with Ray Burke, Kevin Tanner, and Jack Emerick were the founding and only members of Forever (at least to my knowledge). There are some good songs on this record. Check it out if you can.

I could go on for hours with what is left, but I think that gets the point across. While I listened to these and many others, I got the whole album experience again. I do not think it will be the same when I get to the tapes. Did I mention there is an input jack for a tape deck? Well, I will cross that bridge when I get to it. For now, I will continue my Dr. Johnny Fever impersonation and keep the records spinning. More music and Les Nessman …

Yes, I am that old …

— Don Van Dyke

Van Halen

VAN DYKE: Van Halen album release prompts examination of reunions

Van Halen

Hello, my name is Don, and I am a music snob. I will be sharing my opinions on various subjects with music being the main one, of course. Every once in a while, I will put out one of these blogs just to empty my head. So, they will be short most of the time. I will try to relate them to something current or local whenever possible. Since this is my first blog, I hope you will give me some room for improvement. Any suggestions or comments are welcome!

Van Dyke

There is a new Van Halen album this month. This is the first album they have recorded with David Lee Roth since 1983. While this reunion is not at the same excitement level for me as a reunion of the original Beatles, it is quite a bit higher than the level for a possible Color Me Badd reunion. I am not going to get into all the chatter about the songs being remakes of material they started writing decades ago. It is new to me. It is their music; they can put it out however they want. I wish them the best of luck, and I will probably get the new album. I would like to say it was because I thought they were still a great band, but it will probably be because it is on sale for five bucks. Without Michael Anthony, it is a tough sell. He made the whole sound with his vocals.

 

Why a reunion? Probably because they figured out that changing singers once and remaining successful was the exception that proves the rule. Usually, if you change singers and try to carry on, it does not go well. Just ask Motley Crue, they replaced Vince Neil with a singer for a few years, and it did not work out very well at all. Vince came back, and they made a mountain of money. They had two of their most successful tours without producing any new music worth listening to. They even landed a residency at the Hard Rock Hotel in Las Vegas. They had a crazy stage show, but… well, you can look on YouTube to see what I am getting at.

I think the whole reunion craze started with the Eagles and the trailer loads of cash they hauled in on their 1994-96 tour. Kiss had a reunion of the original members soon after, and toured the world in their 1976 makeup. Then, they put out an album nearly unparalleled in its awfulness and toured the world again, making millions. Fleetwood Mac had a reunion around the same time, so did Black Sabbath, The E street band, and many others. Roger Waters even had a reunion with Pink Floyd at the Live 8 concerts a few years back. I was sure I would never see that. It is a shame that they couldn’t have done something else together before Rick Wright passed away.

At the other end of the spectrum are the bands that continue with only one or two of the original members. Guns N’ Roses comes to mind. Kiss is doing this now, too. They say it is because the makeup is bigger than the band members. I guess it is bigger than the panda bears they sell with the makeup designs on them too. I guess when your band becomes a “brand” you gotta ride that horse until it drops.

It makes you wonder why bands split up in the first place. I look at it this way: Most bands start out as just a group of friends. In order to be successful, they spend almost all of their time together. A lot of bands have lived together in a house or apartment for years trying to make it in the music business. They are like a family. It’s all for one and one for all because the band is what is important. This can work for a while, even for many years, but eventually it begins to wear on you. Especially when alcohol, drugs and other substances like success come into the picture. At some point, people need space from each other. A band that is successful or trying to be does not provide much space, so things tend to get amplified and yesterday’s disagreements settled after a few beers and couple games of pool turn into today’s fistfights settled after an arrest or a management ultimatum. Someone quits the band or gets fired. The band is too big and probably owes too much money to the record company to stop, so a new member is brought in and they soldier on.

It is just like most families. The only difference is that you tend to move out of the house at some point after you become adults. Has anyone been in a confined space like an RV with their family when everyone was an adult? How did that go? Pretty well if you drove for three or fewer hours. If it was longer, I bet you were ready to leave the band when it was over or maybe fire a couple of members. The only problem is that you and I cannot plug DJ Ashba or Wolfgang Van Halen into the chairs around our Thanksgiving tables.

I think it was Joe Perry from Aerosmith who once told his drummer that they did not have to be friends to be in a band together. This may be a cold, heartless thing to say, but it is the truth.

Based on all of this, I will give this advice to those in bands today: Try not to spend all of your free time with your band mates. Find other interests, even a side band or doing solo music. Make every rehearsal and show a reunion, so you do not have to have one for the wrong reasons later. It has been said that if you love what you do, you will never work a day in your life. Unfortunately, this does not apply to the music industry. That is why very few bands survive anymore. I will get into that more in later blogs. For now, remember the two rules some very wise friends shared with me. One: Less is more. This applies to every facet of music except, of course, for volume. Two: Look for quality rather than quantity. This applies to music and just about everything else.

Don Van Dyke

Six String Heroes

STONER: The end is near, but first – Six String Heroes in Quincy

Six String Heroes

OK, this is the final blog for me. Next up is the Don Van Dyke show. I appreciate Jess at the Local Q asking me to write the blog for a couple months and for all the kind words from those on Facebook that read my ramblings.

Those of you that know me, know that I’m originally from Quincy, but moved to St. Louis about 10 years ago. I worked too many hours and traveled way too much the first five years here and decided I needed to make some changes in my life. I decided that I really wanted to spend more time with my family and that I wanted to focus more on helping people, rather than making money. Easy to say but much harder to do. I was able to start teaching online college classes, which meant working from home — great start — but was still looking for a way to help people.

A couple of years ago, I saw a story in a guitar magazine about a national organization called Guitars for Vets, which taught military veterans how to play guitar to help them with PTSD, depression, memory issues, and other problems. A chaplain named JR Harris at Jefferson Barracks in St. Louis had recently started a chapter, so I decided that was my calling. Combining my love of guitar with helping veterans — there couldn’t possibly be a better mix for me. I met with JR, Kevin Sullivan, and army veteran, Derek Milles, who were all teaching in the program and it felt like home the first night.

Fast forward six months and we were doing some great things for Veterans in St. Louis, however, Guitars For Vets had some growing pains and we were in high growth mode in St. Louis, so we decided to go it alone. By this time, JR had been transferred to Las Vegas and army veteran Mike Petty had started to help. We decided by going it alone, we could raise money locally and keep the funds in St. Louis to grow and run our own program. Six String Heroes at Jefferson Barracks was born on Feb. 22, 2011.

I’m proud to say that almost immediately after starting the program, the great folks in Quincy were supporting our efforts. In addition to various donations directly to me on my visits back to Quincy, Second String Music and the Vancil Performing Arts Center sold about 150 shirts and took in about 15 guitars in the last eight months.

I wrote a blog post about the reality of music therapy a few weeks ago. In it, I said that I see that it’s real every week when I give guitar lessons to veterans. We’ve had comments such as, “this is the best part of my week, I never thought I ‘d look forward to Monday nights (our lesson nights),” ”I’m glad the program is there, I’m a lot more focused on my actual life now.” I’ve been stopped in my tracks and fought back tears when I tried to explain to a student that he’s putting his fingers in the wrong place for a chord and then noticed that the top half of one of his fingers is missing from a mortar blast, so he has adjusted to using his remaining fingers to fret the chord. That same student has helped me change my entire outlook on life in a positive way, so I definitely get as much as I give.

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I’m proud to announce that in conjunction with Second String Music’s one year anniversary (the day after ours), we have implemented a Quincy chapter of Six String Heroes. Second String Music and the Vancil Performing Arts Center will be working together to provide lessons to qualified veterans and Six String Heroes will be providing the guitars and accessories for the program.

The basics of the program are:

1) The program is designed to help military veterans, who as a result of their military service are suffering from PTSD, depression, battle fatigue, memory issues, social anxiety, a physical injury, or similar problem.

2) The first step to enter the program is to fill out an application available from Second String Music or by e-mailing Six String Heroes at sshstl@gmail.com.

3) If all criteria are met, the veteran schedules their lessons with Second String Music and receives 6 free guitar lessons. A loaner student guitar is provided by Six String Heroes for the lessons. After the 6 lessons, the veteran is awarded their own new guitar, a gig bag (case), and accessories and is encouraged to continue on with their lessons or join a guitar group in order to continue learning.

All guitars and funding to Six String Heroes is provided through personal donations. A Quincy benefit is being planned for June 30, 2012, at Turner Hall. Please make plans to attend and contact us at sshstl@gmail.com if you would like to help in any way.

May your seas be still and your sky be blue,

Steve Stoner

Bob Dylan

KE$HA covers Bob Dylan for a good cause, thoughts?

Bob Dylan

Listen before you judge, it is interesting.

 

Someone on Youtube had a good comment:
“This lady made this old man cry and I love bob Dylan. Grew up with his music. One thing I learned over the years is to keep my mind open.”

Read the story of why here: http://www.thelocalq.com/node/2573

Ke$ha said this about the song she covered: “Everything has changed. It’s amazing, but there are moments that are incredibly lonely. This caught me at one of those incredibly lonely moments, and it really struck home. There’s a line, ‘It’s a long and lonesome road, babe, where I’m bound I can’t tell.’ It’s tragically relevant,” said Ke$ha in a phone interview. “I think these are all positive things for young people to see that you can be strong and you can be irreverent and you can say what you want and you have the freedom of speech, but I’ve learned that vulnerability is actually an asset. It can be just as much of an asset as strength.”

grammy-trophy

STONER: Music awards shows – by the numbers

Imagine the voice of the late Andy Rooney saying all this because I really feel old as I rant about music award shows.  I’m sure there will be those that love awards shows, so to those, I’m sorry for what you are about to read.

You’ve heard almost all artists at one point or another vocalize their disdain for award shows, but most of those same artists proudly display their Grammy hardware in the first room you see inside their house once they win one. So with the Grammy’s coming up in a few weeks, here’s my rant on music award shows (this could also easily translate to movie awards).

Now, I know I teach college finance so I’m a dorky “numbers guy,” but shouldn’t the winner of each category be who has sold the most downloads and albums for the year? NASCAR winners have to earn the most points to win the Sprint Cup.  The winner of a baseball, basketball, soccer, or football games have to win by scoring the most point, not vote on who is the best team.  Ryan Braun didn’t win the batting title because he was voted the best batter in the league last year.  No, he took steroids and put up the NUMBERS to win that award. Why do music artists win an award simply because some people in the National Academy of Recording Arts and Sciences that may know nothing about that genre of music voted for them as the Best Male Vocalist, Best Rap Video, etc.?

While some artists change their tune (no pun intended) about the Grammy’s when they get nominated, some artists like Maynard James Keenan, lead singer of metal band Tool, stick to their guns and do not attend the Grammy Awards ceremony to receive an award when they get nominated. He explained his reasons: “I think the Grammys are nothing more than some gigantic promotional machine for the music industry. They cater to a low intellect and they feed the masses. They don’t honor the arts or the artist for what he created. It’s the music business celebrating itself. That’s basically what it’s all about.”  Tell us what you really think Maynard! Definitely some truth to that and I think it actually would be cool if some of the awards were vote-based to include those artists who haven’t made a dent commercially but are talented artists.  Maybe that award could be voted on by other artists in that genre.  But that should be the exception, not the rule.

Andy Rooney

A very popular example of the problem is when Jethro Tull won the Grammy for best Hard Rock/Metal performance over Metallica in 1988. Few problems there, (1) Jethro Tull wasn’t a heavy metal band, (2) the guys voting for this didn’t even know who Metallica OR Jethro Tull actually was, but the biggest is (3) Metallica probably outsold Jethro Tull by 1,000 times that year. The Grammy folks could have saved themselves a lot of embarrassment that year by just putting the numbers together and awarding the Grammy to the artist who sold the most singles or albums that year. How hard is that? Jethro Tull could have been included in the Best Flute/Rock Group Performance category. It’s probably in the 109 categories they had last year. By the way, they’ve restructured the Grammy’s so we only have to deal with 78 categories this year. Whew! That will help (sarcasm).

Also, who actually votes for these awards? Who is actually in “The Academy” that gets to cast their almighty vote? Here’s a discussion that needs to be made…..”Mr. or Mrs. Academy Voter, may I please see your iPod to see if you own any songs you voted for?”.  If not, you are no longer a registered voter.

Even the People’s Choice Awards that is supposed to be based on votes from the general public is skewed. No ballots ever came to my mailbox or inbox. Am I supposed to go research how to cast my vote?  Well, that’s way down on my priority list. How about an email to everyone who has bought an Amazon.com or iTunes download?  Or better yet, just tally the number of downloads and base awards on the numbers. I realize this will mean the Entertainer of the Year will probably be Justin Bieber or Lady Gaga. Not a fan of either one, BUT I’d say these artists deserve the award if they sold the most albums, downloads or concert tickets over the course of the year.  The numbers proved they should win that award.

Oh and one last rant: if an artist is asked to perform at one of these shows and they turn around say “surebut I’d like Ludacris to come on stage and sing one of the verses with me,” that artist should be banned for life from ever getting an award or performing on an awards show. Jason Aldean and Christina Aguilera need to stand on their own two feet. Nothing against Ludacris or Eminem but they have their own rap categories they can

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compete in. That move hasn’t been cool since Run DMC and Aerosmith did “Walk This Way” in the ’80s. That was the one time it was cool. OK, maybe Tim McGraw and Nelly got away with it, but again — exception, not the rule.

Anyway, the major benefit of using sales numbers is that there will no longer be a need for 20 different awards shows. Sorry to those of you that love awards season, but I don’t think we need the MTV Awards, CMT Music Awards, American Music Awards, the Grammys, VH1 Awards, Soul Train Awards, you get the idea. Just one show is needed and all of the sales numbers can be tallied one time.

OK, I’m turning off my channeling of Andy Rooney now and getting ready to plan my Grammy party. I hope they take my advice this year, as they’ve been ignoring me for way too long.

Steve Stoner

MLB Field

STONER: Major League Baseball intro songs

Since I live in a baseball city and am a big Cardinals fan, I decided to do a little investigation into something we all hear at the stadium but never give much thought to: the introduction at-bat music for each player.

This is the song that you hear about 3-5 seconds of as the player walks to the plate. The origin of the intro song is believed by many to be rooted in the early 1970s when the Yankees played “Pomp and Circumstance” upon closer Sparky Lyle’s entrance into games. It caught on with pop culturing in the 1989 movie “Major League” when Charlie Sheen’s character, Ricky Vaughn, ran onto the field to the raucous “Wild Thing”. These days some players take it pretty lightly, but other players put a lot of thought and effort into choosing their song. Many have their Facebook or Twitter fans vote for their song.

Though Major League Baseball doesn’t specify a specific number of seconds that a song clip can play, the league does specify that the batter’s music should start immediately after he’s announced and should stop when he reaches the dirt cut-out around home plate. As for the content of the song, baseball leaves it up to the clubs to “use good judgment.” Hmmmmm, that seems risky. Starting pitchers have their own music, but those tunes are often lost in the shuffle of the top of the first when everyone is finding their seat and cramming down some peanuts and cracker jacks. Closers have better luck getting fans attention. Mariano Rivera, of course, instills the fear of God into opponents when he trots out of the Yankee Stadium bullpen to Metallica’s “Enter Sandman.”

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While it may seem like a fairly insignificant piece of the baseball routine, image-conscious ballplayers love the chance to express themselves as the spotlight shifts to them at home plate. Jose Reyes owns a record label and sometimes uses his own music as his intro song. When it comes to poor choices in at bat songs, the former Yankee Nick Johnson always gets a mention. He came to the plate to Miley Cyrus’s “Party in the USA,” reportedly because it was his daughter’s favorite song.  Apparently some bands lobby to get their songs included as intro music by sending gifts and gift cards to the players (as if the players can’t afford to pay their bill at Chili’s).

Wouldn’t it be cool if you could have some “at-bat music” at work? Let’s say every time you have to give a presentation, on your way to the podium, they play your song to get you pumped up.  Or if you work at a fast food place, they play your song as the next car drives around in order for you to hand their order to them?  OK, I’m getting a little off-topic here, but think about what song you’d have played. Please reply on Facebook or the Local Q website and let me know what your personal “at-bat music” would be. Interestingly, “Your Love” by The Outfield was picked by quite a few players (Eric Byrnes, Gordon Beckham, Kelly Johnson).  Say what?  Good song, but I thought I was the only one who liked it, back in the ’80s. And I’m not real sure how this pumps up a batter.

Anyway, here are some interesting choices from around the MLB:

Albert Pujols – “Five Second,” by Canton Jones  (Did anyone hear he signed with the Angels?)

Carlos Beltran – “El Esta Aqui,” (He Is Here) by David y Abraham

Matt Holiday – “Chicken Fried,” by Zac Brown Band

Skip Schumaker – “The Stroke,” by Billy Squier

David Freese – “Little Pink Houses,” by John ‘COUGAR’ Mellencamp

Nick Punto – “In the Air Tonight,” by Phil Collins

Mark Hamilton – “ET,” by Katy Perry

Drew Stubbs – “Riot,” by Three Days Grace

Edgar Renteria – Any song by 2Pac, requested to mix it up each time

Kelly Johnson – “Bulls on Parade,” by Rage Against the Machine

John Smoltz – “Thunderstruck,” by AC/DC

David Ortiz – “Big Poppa,” by Notorious B.I.G.

Mike Lowell & Jay Bruce – “Iron Man,” by Black Sabbath

Josh Beckett & Brad Hawpe – “Rockstar,” by Nickelback

Nick Swisher – “Danger Zone,” by Kenny Loggins

Joey Votto – “Black Betty” by Ram Jam

Lance Berkman – “God’s Gonna Cut You Down” by Johnny Cash & “Cat Scratch Fever” by Ted Nugent

Billy Butler – “Click Click Boom,” by Saliva

Ryan Braun – “Power,” by Kanye West

Randy Wolf – “By Demons Be Driven” by Pantera

Kyle Kendrick (pitcher) – “Been Caught Stealing” by Jane’s Addiction (clever)

Chase Utley – “Kashmir” by Led Zeppelin

Roy Oswalt – “My Kinda Party,” by Jason Aldean

Joakim Soria – “Welcome to the Jungle,” by Guns N’ Roses

Derek Jeter  - “Otis,” by Jay-Z & Kanye West

Mark Teixeira – “I Wanna Rock,” by Twisted Sister

Alex Rodriguez – “Welcome to the Jungle,” by Jay-Z & Kanye West

Steve Stoner

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STONER: More last minute music lover gift ideas

Earlier in the week I reviewed some music biography and autobiographies to get musicians if you are looking for some last minute gifts.  Since we still have a few days of shopping left, I wanted to throw out a few more.  Remember Amazon and Barnes & Noble have second day shipping and Quincy Books in the mall is open on Christmas Eve until 5 p.m.

COUNTRY MUSIC
Cash: The Autobiography” by Johnny Cash
The man in black looks back on a fascinating life.  He crossed genres from Gospel to Country to Rock without even trying but always had the same sound.  If you watched the movie “Walk The Line,” then many of the stories in this book will be familiar.  However, the stories and background are much more detailed and Johnny gives you the stories in his own words.  This is a man that once started a forest fire with an automobile and brought back a pickup load of amphetamines from Mexico……not your everyday stories from the road.  While apologetic about many of the things he’s done, Cash is no doubt fearless when it comes to being honest about his life.  The book drags towards the end with a couple of sappy chapters writing to his children and grandchildren, but still a great book. GRADE: A-

ROCK MUSIC
“Ronnie: The Autobiography” by Ronnie Wood

I’m not a big fan of The Rolling Stones – nothing against them, just a bit of a generation gap.  However, road warriors in the music world who have become legendary and are willing to share their tales always intrigue me.  Interestingly, Wood was the first in his family to be born on dry land.  Both sides of his family were water gypsies that lived on boats 24/7.  In 1960’s England, Wood was in the right place at the right time and became the guitarists for the Birds, Jeff Beck, the Faces (with Rod Stewart), and eventually the biggest gig of all, the second guitar player for The Rolling Stones.  This book takes you through his extreme adventures of rock and roll with The Stones along with the drugs and crazy personalities involved.  Amazingly, Wood lost his fortune with some horrible investments and has had to make a comeback with his artwork and yet another comeback tour with The Stones.  Like many rock and roll autobiographies, some of the stories makes you question the accuracy when Wood and his drug buddy Keith Richards were out of their minds on heroin…..but still worth a read. GRADE: B-

“The Heroin Diaries: A Year in the Life of a Shattered Rock Star” by Nikki Sixx
This is one of those I would classify as a guilty pleasure to be read along with the next book, “The Dirt, The Confessions of the World’s Most Notorious Rock Band”.  It is a very quick read compared to most rock and roll books and in fact I read it straight through on a lazy Sunday in one sitting. It’s definitely one you don’t want to put down. I was a little concerned by the title in that it might glorify the drug-addicted lifestyle of so many rockstars.  It doesn’t take long though to realize how horrible of an existence cocaine and heroin addiction can be as I’m sure Kurt Cobain and Layne Staley would agree if they were still alive.  This book is literally a diary kept by Sixx starting (oddly enough) on Christmas in 1986 with him alone, crouched naked under his Christmas tree with a syringe recently full of heroin. The diary should be required reading for any young musician just starting out and going on tour.  If it doesn’t keep them away from drugs on the road, nothing will. GRADE: A+

“The Dirt: The Confessions of the World’s Most Notorious Rock Band” by Neil Strauss
“The Heroin Diaries” wouldn’t be complete without also reading “The Dirt….” published six years earlier which chronicles the raunchy start and meteoric rise of Nikki Sixx, Tommy Lee, Vince Neil and Mick Mars. Motley Crue is one of the most iconic rock bands of all time and known for drug and alcohol addiction, drunken car wrecks, outrageous non-stop parties, and girls everywhere.  It’s very interesting to compare the band stories in this book about Sixx hiding his heroin addiction during the time of his diary writing (see above).  No heavy metal fan will want to be without this crude but honest chronicle from one of the best all time rock and roll authors, Neil Strauss. GRADE: A

BLUES MUSIC
Can’t Be Satisfied: The Life and Times of Muddy Waters” by Robert Gordon
I loved this book.  I’m always fascinated with the true blues masters from the delta region and Muddy Waters is one of the greatest of them all.  Born McKinley Morganfield in Mississippi, Muddy Waters, still plowing fields in his 30’s, was “discovered” by Alan Lomax during one of his famous field recording expeditions for the Library of Congress.  Waters left Mississippi and came to Chicago in 1943 to electrify the blues taking the music form from the acoustic guitar in the fields to using a Fender Telecaster and amp in Chicago blues bars.  Soon Waters was recording for the legendary Chess brothers at Chess Records and selling tons of records, although profiting very little.  The 1950’s and 60’s were pretty rough for Waters as Chuck Berry and rock and roll took over and dominated the music industry.  In the 1970’s everything came full circle as Eric Clapton and The Rolling Stones (named after a Muddy Waters song) turned on a new generation to the music of Muddy and his contemporaries.  The author stays very unbiased about Waters’ personal life as he lays out the facts of the many illegitimate children Waters left behind. This is often a dark story, full of guns, violence, hard liquor and loose living and is one of my favorite biographies. GRADE: A+

Steve Stoner

 

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STONER: Last minute Christmas present ideas

For those of you procrastinators still looking for some gift ideas for the musicians in your family who can actually read (just kidding, musicians), I wanted to throw out some ideas for music biographies and autobiographies. I’m addicted to this genre and my Amazon.com past purchases account proves it. I’ll separate these out by music style to save you some time.

COUNTRY MUSIC
“Diary of a Player: How My Musical Heroes Made a Guitar Man Out of Me,” by Brad Paisley and David Wild
Great book no matter what style of music you are into. This is especially true if you are a guitar player. Paisley talks about growing up with a grandfather that practically forced him to start playing guitar, but he eventually fell in love with the instrument and grew up playing in bands with some older gentlemen who taught him how to be a real musician. He then details his time at a business college in Nashville, while interning at a record label, writing songs and eventually getting a record deal. Anyone who knows much about Paisley knows he’s a ‘gear head,’ that is he loves guitars and amps and owns tons of them. Unfortunately, he lost almost every instrument he owned to the Nashville flood a couple of years ago. The book concludes with a great story that was also in Vintage Guitar magazine last month about Paisley receiving his insurance check and buying a very expensive, old Martin guitar from George Gruhn Guitars in Nashville that was more than likely played at some point by his grandfather 60 years earlier. GRADE: A+

“Waylon: An Autobiography,” by Waylon Jennings and Lenny Kaye
Like everything about Waylon, this book is gritty and honest and he doesn’t pull any punches. From his beginnings in a dirt floor house in west Texas, through busted marriages, his time as a DJ in Texas (along with the fateful day Buddy Holly dropped by the studio and made quick friends with Waylon), to his time playing bass guitar on tour with Buddy Holly, to his successful recording and touring career as well as his long and loving marriage to Jessi Colter, this book covers it all.  It’s packed with some great stories (my favorite is his animosity towards Merle Haggard for taking advantage of Waylon during a poker game) that makes you feel like you’re at the bar sharing a beer with Jennings as he takes you through his life’s experiences. GRADE: A

ROCK MUSIC
“Red: My Uncensored Life in Rock,” by Sammy Hagar
Great book if you are a Sammy fan, which I definitely am. The book starts as almost all biographies do, with the story of Sammy’s early life and in this case the extremely tough childhood he had with an abusive and alcoholic father. The book continues with his tear through rock and roll as a solo artist, lead singer of Montrose, and of course as the lead singer of Van Halen. The book comes full circle with Sammy again touring and recording as a solo artist and (his latest band) Chickenfoot. Sammy also tells about his many business ventures including his tequila, Cabo Wabo. Much has been made of his side of the story about the Van Halen brothers and you won’t be disappointed by the raw stories Sammy gives you in this book. GRADE: A+

“The Long Hard Road Out of Hell,” by Marilyn Manson & Neil Strauss
I’ve read a ton of positive reviews of this book, but unfortunately I wasn’t a big fan. I’ve never been a Marilyn Manson fan at all, so maybe that is why I’m not a fan of this book. “Why buy the book?” you might ask and that’s a good question. I guess I was just curious about what made this freaky dude tick. While the book is definitely entertaining and is a real roller coaster ride, I had a hard time telling how much was sincere and how much was given for shock value — just like everything else in his career I suppose. However, if you have a MM fan on your Christmas list, they will probably like the book. GRADE: C-

“Late, Late at Night,” by Rick Springfield
This one really surprised me. I was anticipating a ‘bubble gum biography,’ but what I got was a very deep and sincere memoir from an artist and actor who has been through more ups and downs than Traci Lords. I was unaware of Springfield’s childhood split between Australia and England or his early successes and then struggles in the music business long before “Jessie’s Girl” was recorded. The other surprising part of this story is Springfield’s long fight against depression that goes back to his childhood. Good read, but starts out a bit slow. GRADE: A-

BLUES MUSIC
“Blues All Around Me: The Autobiography of B.B. King,” by B. B. King & David Ritz
His real name is Riley B. King, but the B.B. stands, as any blues aficionado knows, for Blues Boy, a nickname he was given in the late 1940s when he was a disk jockey in Memphis. B.B. King — One of my favorite guitarists and a living legend. If you really want to hear about coming from nothing – dirt floor shack and all, B.B. can tell you that story and tell you the history of the Delta blues like no one else can. Great (but sad at times) story and very entertaining. GRADE: A+

Stoner

NON-ARTIST BOOKS
“Guitar Lessons: A Life’s Journey Turning Passion into Business,” by Bob Taylor
Now this is not a book for everybody. You have to either (a) be a fan of Taylor guitars or (b) be interested in the business of guitar building or building a business from the ground up. Since I can check both (a) and (b), I was pretty sure I would enjoy it and I did. I had no idea that Bob Taylor is a first cousin with legendary Bulls and Lakers coach, Phil Jackson. Anyway, this book tells the story of a young man with a passion for building guitars that worked for over a decade without making one dollar’s profit but he soldiered on to create one of the most successful modern guitar companies. For me this book is an A+, but for the average reader it will probably be a C due to the subject matter. However, if you have a Taylor guitar fan on your list or someone interested in building guitars, this will be a great Christmas present. GRADE: A+

Hope this list helps if you need some last minute books for the musicians in your clan.

Merry Christmas!

Steve Stoner

chewy

STONER: Best and worst Christmas songs

OK, earlier in the week I chronicled some horrible Christmas CD’s and have had a few votes along with some write-ins.

Here are the results:

Worst Christmas CD:  Tiny Tim’s Christmas CD (landslide victory)
Runner-up: “A Twisted Christmas” by Twisted Sister
Write-in Votes: “Anything” by Mannheim Steamroller
Bob Dylan’s Christmas Album
Rivertribe Christmas

I can’t believe the Ali Lohan -  “Lohan Holiday” didn’t get some votes. With deep inspirational songs such as “I Like Christmas” (I’m not making this up), I figured the Lohan’s would get a few votes.

Anyway, now we’re moving on to singles since there are quite a few one-off Christmas songs, but the artists can’t quite bring themselves to do an entire album.  Again, before we get into that, I want to highlight one golden nugget that I simply can’t get enough of (another song brought to my attention by Rodney Hart):

“Chewbacca Sings Silent Night” is one of the greatest things to happen to Christmas music.  Just kidding but check it out here and turn up the speakers:
http://www.youtube.com/watch?v=0cPXEo6gqBI

Also, as I was looking around at Christmas songs on Amazon, I cam across an incredible deal if you want some great classic Christmas songs from quality classic artists.  Go to: http://amzn.com/B004H4J97A

For $5.00 you can download 100 Class Christmas songs, which includes Christmas songs from artists like Bing Crosby, Frank Sinatra, Elvis Presley, Dean Martin, Nat ‘King’ Cole, Peggy Lee, Les Paul, Johnny Mathis, and Doris Day.

And now to our contestants:

Stoner

Korn – “Kidnap the Sandy Claws.” You can hear a sample on Amazon.  Beware – this one is a bit frightening.

The Ramones – “Merry Christmas (I Don’t Wanna Fight Tonight).” If you like the Ramones, you’ll dig this one.  If not, you’ll hate it.  Enough said.

John Denver – “Please, Daddy (Don’t Get Drunk This Christmas).” How touching! I think this was supposed to be funny but it’s hard to see what could have been funny about a seven-year-old pleading his dad not to pass out under the tree.  I’m assuming this recorded before John’s two DUI arrests.

Band Aid – “Do They Know It’s Christmas.” Anyone remember this? Bono, Boy George, George Michael, Sting, Duran Duran, Bananarama… what’s not to like?  The intentions were to put this together for charity which is great – I’m all for that.  It was apparently knocked out in a 24-hour session and sounds like it.  With lyrics like “Tonight thank God, it’s them, instead of you,” you can’t exactly sing it at the family Christmas get-together and feel good about yourself.

Father Guido Sarducci – “Santa’s Lament.” If you remember comedian Father Guido, you can imagine what you’re in for here.

Cyndi Lauper – “Christmas Conga.” Come on Cyndi, stick with songs about girls wanting to have fun.

Dr. Elmo – “Grandma Got Run Over By a Reindeer.” You all know this one and you sing along as you cringe at how bad it is…..right?

Wham! – “Last Christmas.” I’m not sure which is more awkward, the misplaced jingle bells throughout the song or George Michael dancing around with a girl.

There seems to be no end but I’ll stop here.  Let me know if you have a vote on one of these or have your own idea for the worst Christmas song of all times.

Steve Stoner

Lincoln Douglas Street Fighter performing at the State Room. (Photo contributed by Shauna McAneny)

HOLOWICKI: Lincoln Douglas Streetfighter’s sound loud, but melodic

Lincoln Douglas Street Fighter performing at the State Room. (Photo contributed by Shauna McAneny)

I want to start off by mentioning a word about the tremendous support I have been getting from emails, facebook adds and sheer random people approaching me and complimenting my work. Thank you!

This past Saturday was the night of the much anticipated Lincoln Douglas Street Fighter show at the State Room. Opening act was the Texas Funerals with their surf-infused eclectic blend of rockabilly and other genres. In between songs they busted out a few dittys from Heart, ZZ Top and Dick Dale. The song Double Shot was kind of like a Buster Poindexter reincarnation. I also want to point out that it was interesting how the State Room’s acoustics enhance the performance compared to the New Hampshire bar experience. I was also able to SEE the musicians. Nice job again!

Next came the headlining act.

Holowicki

This new, albeit temporary, ensemble is four guys from Quincy featuring frontman and bass player Corey Warning, Tony Peck on drums, Timmy Kayser on guitar and Matt Parker on guitar. The one night only appearance of some of Quincy’s finest musicians, the Lincoln Douglas Street Fighter combo packs four chord guitar riffs, with some heavy duty on-beat and off-beat drumming and the amazing vocal range of frontman Cory Warning. Warning was the singer for the now-defunct post-punk group the Graduate and played a number of shows with Vans Warped tour in the summer of 2007 to promote their album at the time.

Their music reminds me of a group from the ’80s called the Mighty Lemon Drops, a UK post modern band whose sound can be described as psychedelia influenced post punk.

Their music was a compilation of indie songs that to the unfamiliar listener were inspired by the likes of Weezer, the Silversun Pickups, the Replacements and the Babys although Warning himself admits that his influences are mainly Arcade Fire and Interpol. I’ll give ‘em that. Their style was loud but very melodic. Many references throughout the show were to that of the Foo Fighters, but I’m guessing that was some sort of inside jest. Either way, the music flowed naturally, flawlessly and was highly polished. LDSF are/were a breath of fresh air to Quincy’s much needed indie music scene. I also have an affinity for bands with multiple lead singers as Matt pitched in on a few songs.

Warning will be leaving for Portland, Oregon, in a few weeks, so the possibility of remaining together as a group in the future seems unlikely. That’s too bad, because I truly hate to see them go and I suspect that sentiment is echoed by a good number of people judging by the turnout and excitement of the audience. I estimated the headcount for the night was around 150, almost triple what the Continental show did last week. That kind of support speaks volumes.

Their evening finale was a cover of Local H’s “Copasetic,” which was done really well and got the audience really fired up — a good choice to close out the evening as people were yelling repeatedly for an encore. Unfortunately, as Warning admitted, LDSF exhausted their playlist. No worries. I’m hoping the door is not quite closed on this group just yet.

Steve Holowicki