LIVE EVENTS: Welcome spring with rockin’ tunes
Mar 22nd
Adam Lee & the Dead Horse Sound Company, Tilford Sellers, Rickett Pass (country/bluegrass)
WHEN: 7:30 p.m. Thursday
WHERE: The New Hampshire Bar, 1000 Hampshire
Zeke Cernea (acoustic)
WHEN: 8 p.m. Thursday
WHERE: Cellar 21, 121 N. Fourth
Logan Kammerer (acoustic)
WHEN: 8:30 p.m. Friday
WHERE: Johnny Bang Bang’s, 138 N. Front
Raised On Radio (rock/blues)
WHEN: 8:30 p.m. Friday
WHERE: The Blind Pig, 900 N. 12th St.
Friends For Frank Benefit featuring Logan Kammerer (acoustic)
WHEN: 12 p.m. Saturday
WHERE: Knights of Columbus Hall, 700 S. 36th St.
Josh Thompson (country)
WHEN: 7:30 p.m. Saturday
WHERE: Quincy Junior High School Morrison Theater
Reno Benefit featuring The Cheeseburgers (classic rock)
WHEN: 8 p.m. Saturday
WHERE: Sullivan Auction House, Hamilton
Eleven (classic rock)
WHEN: 8:30 p.m. Saturday
WHERE: Johnny Bang Bang’s, 138 N. Front
Darin Edwards Sound Machine (rock)
WHEN: 8:30 p.m. Saturday
WHERE: Adams Trading, Liberty
Adam Lee and the Dead Horse Sound Company, Tilford Sellers and the Wagon Burners (rock)
WHEN: 8 p.m. Sunday, March 25
WHERE: The New Hampshire Bar, 1000 Hampshire
More details on upcoming shows are available on the calendar page at www.thelocalq.com.
For information on bands and concert venues, go to the music page at www.thelocalq.com.
Submit details for upcoming shows at www.thelocalq.com/node/1767.
VAN DYKE: It’s All About the Sauce
Mar 20th
Originally, this was going to be a post about hot sauces that some musicians are peddling these days. Since none of the companies would step up and send me any tasting samples, I will assume that they are all not as good as the sauces produced around here. A few days after I realized I would need to pursue another idea for this blog, I saw a post by a musician that said simply, “It’s all about the sauce.” It made me think of food, of course, and how you can have the same dish at two different places and have a totally opposite reaction to each of them. I was then reminded of it again while watching someone massacre a great song on one of the singing competition shows. It was a song I had also heard a local artist play once and it was great.
The thing is, most music artists are cooking with the same ingredients. Most rock music is made of guitars, bass, drums and sometimes keyboards with someone singing. It is like the television show where three chefs are each given a basket of the same ingredients and have to make three dishes. You would think that they would all do the same thing, but they usually have drastically different results. It is the same way in music. Slash, Mark Tremonti and Brad Paisley all play the same six strings, but if you asked them all to write a song using just a guitar, they would probably be three very different songs.
For some reason, this leads me to the idea of cover bands. I consider a cover band to be any band that does not play 80 percent original material. They usually are playing anywhere around town on any given weekend. Most cover bands are actually bands with original material, but they do not have four hours of it to play. I remember when I was in a band and how difficult it was to pick out good cover songs. We would always pick these songs that we thought were awesome, and they would get like zero response when we played them live. Actually, there was nothing funnier to me than doing an absolutely perfect version of something and hearing nothing afterward but the sound of billiards and the distant clapping of someone’s girlfriend. Then we would learn a song we did not really like at all at someone’s request and people would go nuts. That is the difficult thing in a cover band, because that changes at every show, and it is very difficult to find that balance of stuff you like to play versus what people want to hear. So how do you do it? I have no idea, but here are a few observations I have compiled based on things I have seen and heard from bands and spectators over the last few years.
For one, people like to dance. I am not sure why, but this seems to be a need for most people. You have to play at least a few tunes every set that someone can dance to. This does not include slow dancing. You should dedicate no more than one song each set to the slow dance, possibly less. Slow dances are for wedding receptions. Also, as a side note, try to keep the talking in between songs to a minimum unless it is entertaining. I have been to so many shows where someone takes 5 minutes to talk in between and no one can hear what they say because they seem to forget that they sound checked for singing and not talking. If you do not talk at the same volume you sing, then it sounds like Charlie Brown’s teacher when you try to give us your life story from DNA. This is not much of a problem with bands around here, so hopefully you will not experience it.
A cover band needs to add something to the songs they play too, because it is all about the sauce. It is about what you can add to a song to make it your own. I have seen a lot of different techniques employed to do this. The sing-along is a common one. Then there is the breakdown where you change the tempo or volume of the song or both. An extended solo is usually stuck in a few songs by a lot of bands. Sometimes bands use props and costumes to enhance the experience, and sometimes it even works. I have seen some bands use completely different arrangements of songs. They will take a pop song and play a country version or a speed metal version. Again, sometimes it works.
Another thing is a medley, which is taking two or more songs and putting them together.
I remember a band doing a Led Zeppelin medley that was really good. Their guitar player looked more like Robert Plant than the singer, though. These are just things that I have heard people mention and tell me they liked with certain bands. Please do not assume I know anything, because that would be extremely foolish.
Just remember whatever you do, do not use a jarred or pre-made sauce. Make it from scratch. It may take a while to perfect, but that is half the fun.
Make sure to check out some of the local bands and artists around Quincy. And if you find yourself in a place that does not have live music, ask why…
Don Van Dyke
LIVE EVENTS: Find out who’s playing where this weekend
Mar 15th
When Worlds Collide 2 featuring Money Mark and M.M.E. 5star, Orv Ill, Lyriz, Beaty White, Krazy Caucasionz, Nocebo, Mob Action, Dr. Dick Ramirez, Big T and Tevo, and Lil Phil (rock/hip hop)
WHEN: 7 p.m. Friday
WHERE: Turner Hall, 926 Hampshire
ImpaKt (rock)
WHEN: 7:30 p.m. Friday
WHERE: Eagles Club, 3737 N. Fifth
COST: $5
Smokin’ Mojo Kings (blues)
WHEN: 8:30 p.m. Friday
WHERE: Johnny Bang Bang’s, 138 N. Front
Adam Cates (Christian)
WHEN: 1 p.m. Saturday
WHERE: Good Book, Rushville
Cheeks McGee (acoustic)
WHEN: 8 p.m. Saturday
WHERE: Village Vineyard and Winery, Camp Point
Raised On Radio (rock/blues)
WHEN: 8 p.m. Saturday
WHERE: St. Patrick’s Party at Admiral Koontz Armory, Hannibal, Mo.
Wreckingball (classic rock)
WHEN: 8 p.m. Saturday
WHERE: North Side Bar, Mendon
Reasonable Doubt (rock)
WHEN: 8:30 p.m. Saturday
WHERE: Johnny Bang Bang’s, 138 N. Front
St. Patty’s Day Party with Hearsay (classic rock)
WHEN: 8:30 p.m. Saturday
WHERE: The Grove Inn, 6510 Broadway
The Pimp Katz (classic rock)
WHEN: 8:30 p.m. Saturday
WHERE: Adams Trading Post, Liberty
Ken Carlyle (acoustic)
WHEN: 2 p.m. Sunday
WHERE: Ridgeview Winery, Mount Sterling
Barrington Wildfire (acoustic)
WHEN: 2 p.m. Sunday
WHERE: Ridgeview Winery, Mount Sterling
Diamonds In-the-Rough (acoustic)
WHEN: 6 p.m. Wednesday
WHERE: One Restaurant & Bar, 600 Hampshire
More details on upcoming shows are available on the calendar page at www.thelocalq.com.
For information on bands and concert venues, go to the music page at www.thelocalq.com.
Submit details for upcoming shows at www.thelocalq.com/node/1767.
VAN DYKE: Cease and desist
Mar 13th
Recently, some bands demanded that Rush Limbaugh not use their music anymore on his radio show. This was due to the fact that he said some stupid things on the show when arguing a point on a political issue. According to various media publications, The Rush Limbaugh radio show is the most listened to radio program in the country with an audience estimated at 15 million listeners weekly. Regardless of whether or not I agree with Mr. Limbaugh’s politics or beliefs, I would not hesitate to allow my music to be played for that size of an audience.
To me, this is just silly. The bands say it is because they do not want anyone to think they are in any way associated with Mr. Limbaugh. If you think about that, it is almost like they are saying people are too stupid to understand that if someone plays a song on the radio, the band must support them in some way. I think most people make no conclusions whatsoever regarding this. If anything, the reverse is true. The program is supporting the artists because it pays for a license to broadcast music, which generates royalties for the artists. Unless you are a big time band like Rage Against the Machine or Rush, royalties are a big deal, especially these days because record and CD sales are a fraction of what they have been in the past.
When I was in Davenport, I used to work as a pizza delivery driver. I listened to the Rush Limbaugh show every afternoon because my car had an AM radio and it was either Rush or silence. They always played good music between the radio segments. At no time did it even cross my mind that the musicians supported or did not support the conservative viewpoint presented on the program. This was during the Bill Clinton administration, so the banter on the show was fiery to say the least. I do not recall any bands or artists issuing cease and desist orders about it back then.
Musicians have a long history of being supportive or unsupportive of politicians and political viewpoints. I have no problem with that. We have that right as Americans. Where I get irritated is when they try to dictate who is allowed to like their music. Why not be appreciative that someone thinks your work is worthwhile? I wonder how I would feel if I got a letter in the mail from my favorite band asking me to send them back all the CDs and erase their songs from my computer because they are vegetarians and saw a picture of me buying eight pounds of bacon. I would be pretty disappointed in their lack of understanding of my beliefs. I would wonder if they had nothing better to do than pay attention to what I am doing. Why not write a song about the horrors of meat and put it out for sale with proceeds going to the cause.
Why punish me? I like some vegetables too!
As a fan of music, I have no idea what the beliefs of most of the artists I listen to are. I really could not care less. If something is good, it is good. Bruce Springsteen and Ted Nugent are polar opposites when it comes to their politics — Springsteen being a supporter of democratic leanings and Nugent a serious conservative. Whatever your beliefs are, you would be nuts to pass up a chance to attend a concert by either of them. Even the most conservative people I know are big fans of artists who hold some of the most looney liberal beliefs. This is because they understand that music holds no beliefs. It just is. So all you artists and bands out there: Just because someone is a nut job, do not take your music away from them. It may be the only redeeming quality they have left.
I think I am going to start writing to some radio shows and demand that they stop playing my music, too. I think I’ll start with some of the local morning shows. Then I’ll work my way up to Clark Howard and Dave Ramsey, then on to O’Reilly, Glen Beck, and Limbaugh. At least it might get my name out there. Maybe I’ll start a service that does this for other artists. Just send me a message on the down-low and I will get your music yanked from a bunch of shows, too. Once the word gets out, their competitors will be playing our stuff non-stop!
Don Van Dyke
VAN DYKE: Catching up with some vinyl
Mar 6th
So, as I was saying at the end of my last post, my idea of what an album should be has all but vanished. Today’s studio wizardry and digital recording mediums have removed a lot of the constraints that artists had on them previously. Time is no longer an issue for albums. CDs can hold around 80 minutes of music, which is the equivalent to almost 23 3 1/2 minute songs. Most artists do not go that far, but they could if they had the material.

Van Dyke
I think this causes a lot more mediocre songs to get on the albums. The same problem has been caused by recording technology. There is so much available to an artist that there is little room for creativity any more. If you want a sound, you can just dial it up on the computer or on a synthesizer. It is way easier to do that than go find someone to play it. It is kind of like frozen dinners. They are cheap and easy, but what do they taste like?
As you may know, I am old. That means that the first section of my music collection contains records, the second section contains cassette tapes and the third contains CDs. My collection also has a digital wing, which houses all my CDs plus an ever-growing pile of MP3s. It took many an evening (and a couple of CD drives) to get all of the CDs digitized. I completed that process about seven or eight years ago.
My turntable broke back in the late ‘90s and I never replaced it. I spent the last few years looking at ways to be able to convert my albums to digital. I was online and found some turntables with a USB cable and software designed to do just that. I was on the checkout screen many times, but was just not able to bring myself to submit the order. I got in the habit of looking at them when I saw them at stores and in the ads from the Sunday paper. I guess my wife noticed, because she got me one for Christmas last year.
So, I managed to get the thing hooked up, converted my first album, and it worked great. The only problem is that unless your records are absolutely scratchless, you have to manually insert the breaks between songs. This means that you have to sit nearby and click on the “next song” button. In other words, you have to actually listen to the entire album. I was not thrilled with this idea until I converted my second album and realized how awesome a situation this was.
First of all, this is something my wife gave me as a gift. If I enjoy it, that makes her happy. Couple that with the “torture” of sitting all by myself in the basement forced to listen to some music that I had not heard in years. Surrounded by an assortment of records and beverages, I dive into the vaults several times a week and find some absolute classics, good and bad. The great albums stick to the 45 minutes or less idea, so I am able to get through them at a good rate.
Here are a few of the “treasures” I found:
Aerosmith – Live Bootleg: This is probably one of the best live albums I ever heard. Joe Perry and the boys at their absolute best. It has really cool packaging that is supposed to make it look like an actual bootleg recording. They even “forgot” to list one of the tracks on the cover.
Jesus Christ Superstar: At the recommendation of my friend, Ryan McKay, I bought this album for a dollar at the Salvation Army store on Maine Street even though I had no turntable. It features Ian Gillian of Deep Purple, Murray Head, and Yvonne Elleman. It is kind of an oddity, but has some cool parts on it.
Paul Simon – Still Crazy After All These Years: A great, mellow album. His third solo record. If you are not a fan of Paul Simon or Simon and Garfunkel, today would be a good day to check into it.
King Diamond – Abigail: The King’s vocal style is just crazy. It was priceless to see my kid’s faces when they heard the opening verse of “The Family Ghost.” It is a concept album about something evil. Oops, spoiler alert!
The Rolling Stones – Their Satanic Majesties Request: The cover of this one was too weird to avoid buying it. It has a 3D picture glued to it and if you hold it right, you can find the faces of all four Beatles, among other things. It has some good moments, but I cannot say it is anywhere near their best work.
Barry Manilow Live: Actually, this belongs to my aunt, but it is here. I spun it and it is not terrible. There is a silly medley of commercial jingles in there, the hits, and the misses.
George Carlin – Occupation Foole: The first comedy record I ever heard. George was one of the funniest people who ever lived. I know this is a music blog, but the comedy album is a lost art form as well.
Forever – Forever and Ever: The first local music I ever bought. While listening to this one, I was back at the Starlite all those years ago getting my face ripped apart by Steve McCarley’s shredding guitar solos. Steve, along with Ray Burke, Kevin Tanner, and Jack Emerick were the founding and only members of Forever (at least to my knowledge). There are some good songs on this record. Check it out if you can.
I could go on for hours with what is left, but I think that gets the point across. While I listened to these and many others, I got the whole album experience again. I do not think it will be the same when I get to the tapes. Did I mention there is an input jack for a tape deck? Well, I will cross that bridge when I get to it. For now, I will continue my Dr. Johnny Fever impersonation and keep the records spinning. More music and Les Nessman …
Yes, I am that old …
— Don Van Dyke
VAN DYKE: That Ain’t no Hank Williams Song
Mar 2nd
When I was growing up, most all the music we listened to was country. I still remember the radio station, Gem Country 105. The likes of Conway Twitty, George Jones, and the Statler Brothers were permanently stamped into my brain at a very young age.
Recently, I spent a lot of time listening to some of the current country music. I found myself wondering how some of these songs could be considered country at all. They all either sound like Nickelback with steel guitar, banjo, and maybe a fiddle thrown in there (probably played on a synthesizer), or just contemporary pop artists. Sure, there are a few actual country music artists out there, but you really have to dig for them. Seriously, I think you really need something more than a cowboy hat, a guitar, and two first names to be a country artist. Or wait…
So, when and how was country music ruined for me? Probably sometime after Alabama sold 40 billion records back in the 1980s. They seem to mark the point where Nashville turned to Trashville. I have nothing against Alabama. I think they were and are fantastic. The problem is the music industry tried to make every artist and every song sound the same as theirs. Then, just when it seemed that real country music was on the verge of a triumphant comeback with Willie, Waylon and Hank Junior, Garth Brooks appeared. Again, Garth is OK with me. Well, until he did that Chris Gaines nonsense. What was that? The cloning machine was fired back up. Party on, Garth.
The songs are the worst part. They are all just half-baked Skynyrd knockoffs, or rehashed Jimmy Buffet. Some are just unclever gimmick songs or tired attempts at other genres that sound about as fresh as a gas station hamburger. Yes, there are some good, listenable songs on the country charts too. They just are not really country songs. They are so poppy and mainstream that I am shocked Adele did not clean up on their Grammys too. Is it just me or are you an even bigger fan of Adele’s after she recently showed the industry suits what she thought of them?
To me, it is just a travesty that traditional country music has all but disappeared from radio, and we are forced to take in these sparkly jeans wearing phonies. When I saw a production number on one of the country award shows, it was over for me. I found myself thinking of the old TV show Hee-Haw and how long one of these clowns would last on there before Grandpa Jones found a new place for his banjo.
All the music sounds like the same musicians played it, and it was recorded in the same studio. This leads me to another thing I find disturbing about country music today. There are no bands. I bet you would have a hard time naming more than five actual country bands. I am not talking about Sugarland, Brooks and Dunn, or even Rascal Flatts. They are singing groups. A band has a drummer. Why are there hardly any bands in country music? Maybe it has something to do with record companies. Nashville is literally crawling with musicians. A group can be put together to record songs at an almost non-stop pace. If you are a solo artist or singing group, all you have to do is your vocal parts wherever you are, especially now with the recording technology available. You could be out on a tour and have your next album in the can before you even get back home. With a band, you have four or more people to get set up and dialed in which can take hours, even days to do. The industry would rather spend that time and money to find better songs from proven songwriting machines. Hey boys, make sure you mention mud or cold beer!
I am just disgusted with the music industry and how they have cartoonized everything from hip-hop to metal. This is why I am delighted to see the music industry crumbling and more artists distributing their own music directly to the fans. Instead of trying to come up with enough songs to make an album, they are trying to just make the best songs they can, one at a time, quality over quantity. The idea of an album was killed years ago anyway by the space available on CDs. Instead of shooting for 30 to 45 minutes of material, they were trying to get 50, 60 even nearly 75 minutes like the Metallica CDs of the mid-‘90s. (I think that one album had steel guitar on it somewhere, hmm…) So you ended up getting around 18 minutes of good stuff and a bunch of filler and experiments.
An album should last about the amount of time you can tolerate an unannounced guest. You invite it in, make it a drink, look over the packaging, maybe have another drink with it, maybe two. It should take 45 minutes at the most. Any longer than that is just too much to absorb. But, we will get more into that next time. Until then, check out both kinds of music. Country AND Western!
Don Van Dyke
PMRC’s ‘Filthy Fifteen’ of the 1980s gives way to today’s ‘Exasperating Eleven’
Feb 29th

Tipper Gore, left, wife of Sen. Albert Gore Jr., D-Tenn., testifies before the Senate Commerce Committee as Susan Baker, wife of Treasury Secretary James Baker III awaits her turn on Sept. 19, 1985 in Washington. The committee was holding hearings on record labeling. (AP Photo)
Back in the 1980s, Tipper Gore and a group of women in Washington, D.C., formed an organization called the Parents Music Resource Center.
This group was frightened by what they saw as the graphic nature of some music videos, song lyrics, and album covers. Gore and other members cited the music videos for Van Halen’s “Hot for Teacher” and Twisted Sister’s “We’re Not Gonna Take It” as examples at a congressional hearing called by the U.S. Senate to discuss so called “porn-rock.”
They also provided a list of what they considered the most objectionable songs out there. This list was called the “Filthy Fifteen.” Their goal was to have all music recordings labeled or rated much like feature films. They even suggested that materials they deemed objectionable be kept behind counters at stores.
I took a look at this list just the other day. Not only did I realize that I owned most of the songs on it, I also noticed that most would be considered tame by today’s standards.
While I will concede that a lot of what the PMRC went after is probably not suitable for young children, I think it was and is just a reflection of the artist’s environment at the time. A lot of songs were not dirty or violent at all, they were just assumed to be by their title of a few of the lyrics.
Looking through all the material they wanted to label or limit accessibility to, I can really see now why Al Gore invented the Internet.
In the end, most of the record companies voluntarily placed warnings on recordings that had explicit content. I am guessing they did it because they found out labeled ones sold three times as many copies.
This kind of imagery has been in music throughout history; it is nothing new. Warning labels do not and will not take the place of good parenting.
After meditating on the idea of warning labels, I found myself wondering why they do not label music for other reasons other than how explicit they are. A lot of songs, videos and albums are offensive for other reasons.
Do you remember “Mambo No. 5” by Lou Bega? What about “Take on Me” by A-ha? These songs are tremendously offensive to me in the way they seemed to be everywhere I went when they came out. Maybe I should put my own group together and get organized. We can then testify before Congress that something needs to be done about these senseless attacks on our sanity and ability to form rational thought. I already have compiled a list of the worst offenders that I have titled the “Exasperating Eleven.” Here it is in no particular order:
1. “Ice Ice Baby” by Vanilla Ice. This song poured out of every Z28, 5.0 and convertible in town when it was released in 1990. It needs to be labeled for its misuse of classic rock, near destruction of hip-hop, and the over-the-top doofus dance it’s performer inflicted on everyone. Warning: May cause doofyness, word to your mother.
2. “Macarena” by Los del Rio. I was warned about this song by a friend who had been on vacation. I forget where she visited, but she said this song would be here soon and it would take over. Wow. Warning: This song may cause you to be forced to do a dance that will make you appear to be (a) patting yourself down before arrest, (b) folding socks while on pain medication for tennis elbow, or (c) performing a magic trick called “disappearing masculinity.”
3. “MacArthur Park” by Donna Summer (among others). This song takes the cake when it comes to bad lyrics. Warning: This song contains confectionary violence and old men playing Chinese checkers.
4. “Heartbeat” by Don Johnson (video). Does anyone remember “Miami Vice”? Did you think it was cool? Well, this is not. Warning: Only watch this video on equipment secured to something larger than the biggest door or window in your home.
5. “Achy Breaky Heart” by Billy Ray Cyrus. Originally rejected by the Oak Ridge Boys for national security reasons, this song infected the United States on March 22, 1992. It contains two chords that wrap themselves around your brain and squeeze hard. While this song was once No. 1 on the country charts, for me it lands at No. 2, with a mullet. Warning: May cause line dancing, often referred to by the technical term ‘boot scooting.’ 6. “MMMBop” by Hanson. This song was so catchy that you didn’t even need to know the words. In fact, I am not sure if it has any other than “MmmBop” and “dop.” I almost had to quit writing this just by seeing the title of it. Warning: You will continue to hear this song, especially if you try not to.
7. “The Final Countdown” by Europe. Back in the mid to late ’80s, whenever you watched or listened to anything about hard rock or heavy metal, this song made an appearance. It was very popular, but also very awful. Warning: This song has lyrics that can easily be changed into something much funnier. Enjoy responsibly.
8. “Red Solo Cup” by Toby Keith. I have to admit, I enjoyed this song the first time I heard it. It was not too bad after I heard it a few more times. But now, after hearing it at least a few hundred times, it is time to throw it away. Luckily, it is not recyclable around here. Warning: This song causes outbreaks of drunken singing of words other than those contained in the song. That is kind of the point though.
9. “My Heart Will Go On” by Celine Dion. No song ever made me want to be on the Titanic as much as this one. Well played, Mr. Cameron. Warning: Singing this song may convince you that you are the greatest singer who ever lived.
10. Any song by Van Halen with David Lee Roth since 1996. I am starting to dig the new Van Halen songs and some of the explanatory videos that David Lee Roth has put out there. His lyrics all seem to have some deep meaning. Too bad no one knows what it is but him! My favorite line is from one of the songs he did with them in 1996: ‘Steak and potatoes/A feather in a bucket.’ So deep. Thanks, Dave! Warning: May cause self-absorption and overalls.
11. “Don’t Worry, Be Happy” by Bobby McFerrin. To this day, I am totally convinced this song ended the Cold War. Not long after its release, the Soviet Union fell and the Berlin wall started coming down. I am absolutely sure it was played on repeat to drive the Soviets out of Afghanistan, too. Warning: Hearing this song will render you useless for the next nine hours.
So who is with me?
—Don Van Dyke
VAN DYKE: What drives taste in music
Feb 14th
Yes, the Grammys happened this week. Where was the award for best guide vocal recording? Is it just me, or does anyone else think it’s weird that a ceremony celebrating recordings is criticized every year for having performances by artists who appear to be lip syncing? I always have wondered why they have live performances on the Grammy award show at all. No one goes on stage at the Oscars and performs a scene from their movie. I do not recall seeing the cast of the Big Bang Theory perform their current episode on the Emmys either. It is about the best performances captured on tape. It is more about the finished product than the actual art of the music. The whole thing is just odd to me. Don’t get me wrong, there is an art to making good recordings, but you have to have the music first. My advice is not to bother wasting three hours of your life watching these shows. You do not need some silly awards show telling you what good music is. You already know that.
Much like my other passions in life, food and drink, music is very taste driven and taste can change very quickly. This is why I struggle when someone asks me what my favorite band is or my favorite album, or my favorite drink. Today, my favorite band may be Pink Floyd, my favorite album may be “Revolver” by the Beatles, and my favorite drink may be red Mountain Dew. BUT, tonight my favorite band may be Fielder, my favorite album may be “Rocks” by Aerosmith, and my favorite drink may be Jameson on the rocks. Ask me again in an hour, and I will probably have different answers. For me, music is very situational. Just like I am most likely not going to be out on the patio in my jammies at 5 a.m. grilling steaks for breakfast, I probably will not be popping in a Mastodon CD while I take my kids to school in the morning. If you know me, you would not be a bit surprised if I actually did either of those things.
It should be your own taste that drives what music you like, not some doofus blogger or tacky award show. Maybe you are picky about what you listen to, or maybe you like everything. All I ask is that you give everything a chance. As Geddy Lee from Rush once said, “There are a lot of empty calories on the radio these days.” Do not get filled up on those when you can have something good for you like a big bowl of Black Country Communion. I cannot guarantee you will like them, but you will.
Also like the best food you can eat, the best music you can hear is organically grown locally. Sure, you can shell out the money a few times a year to go see the big names in St. Louis or Chicago, and there is nothing wrong with that. All I am saying is that there is some great stuff being cooked up around here every weekend at some absolutely fantastic venues. Just check out the calendar page right here on The Local Q for details! If you do not want to go out every night, you can always stay home and make your own music. There are lots of great places to buy the freshest ingredients to do that as well, if you know what I mean.
Valentine’s Day is also this week. Do not waste your money on flowers and chocolate when you can give the gift of music. Sure you can buy some CD’s, but wouldn’t it be a better idea to buy your significant other a guitar? This works especially well if you know how to play it, so you can teach them. Use your imagination. If you do not know how to play, buy lessons for both of you. Even if neither of you continue playing and you end up donating the guitar to Six String Heroes, you will get something out of the experience. Trust me …
Don Van Dyke
VAN DYKE: Van Halen album release prompts examination of reunions
Feb 8th
Hello, my name is Don, and I am a music snob. I will be sharing my opinions on various subjects with music being the main one, of course. Every once in a while, I will put out one of these blogs just to empty my head. So, they will be short most of the time. I will try to relate them to something current or local whenever possible. Since this is my first blog, I hope you will give me some room for improvement. Any suggestions or comments are welcome!
There is a new Van Halen album this month. This is the first album they have recorded with David Lee Roth since 1983. While this reunion is not at the same excitement level for me as a reunion of the original Beatles, it is quite a bit higher than the level for a possible Color Me Badd reunion. I am not going to get into all the chatter about the songs being remakes of material they started writing decades ago. It is new to me. It is their music; they can put it out however they want. I wish them the best of luck, and I will probably get the new album. I would like to say it was because I thought they were still a great band, but it will probably be because it is on sale for five bucks. Without Michael Anthony, it is a tough sell. He made the whole sound with his vocals.
Why a reunion? Probably because they figured out that changing singers once and remaining successful was the exception that proves the rule. Usually, if you change singers and try to carry on, it does not go well. Just ask Motley Crue, they replaced Vince Neil with a singer for a few years, and it did not work out very well at all. Vince came back, and they made a mountain of money. They had two of their most successful tours without producing any new music worth listening to. They even landed a residency at the Hard Rock Hotel in Las Vegas. They had a crazy stage show, but… well, you can look on YouTube to see what I am getting at.
I think the whole reunion craze started with the Eagles and the trailer loads of cash they hauled in on their 1994-96 tour. Kiss had a reunion of the original members soon after, and toured the world in their 1976 makeup. Then, they put out an album nearly unparalleled in its awfulness and toured the world again, making millions. Fleetwood Mac had a reunion around the same time, so did Black Sabbath, The E street band, and many others. Roger Waters even had a reunion with Pink Floyd at the Live 8 concerts a few years back. I was sure I would never see that. It is a shame that they couldn’t have done something else together before Rick Wright passed away.
At the other end of the spectrum are the bands that continue with only one or two of the original members. Guns N’ Roses comes to mind. Kiss is doing this now, too. They say it is because the makeup is bigger than the band members. I guess it is bigger than the panda bears they sell with the makeup designs on them too. I guess when your band becomes a “brand” you gotta ride that horse until it drops.
It makes you wonder why bands split up in the first place. I look at it this way: Most bands start out as just a group of friends. In order to be successful, they spend almost all of their time together. A lot of bands have lived together in a house or apartment for years trying to make it in the music business. They are like a family. It’s all for one and one for all because the band is what is important. This can work for a while, even for many years, but eventually it begins to wear on you. Especially when alcohol, drugs and other substances like success come into the picture. At some point, people need space from each other. A band that is successful or trying to be does not provide much space, so things tend to get amplified and yesterday’s disagreements settled after a few beers and couple games of pool turn into today’s fistfights settled after an arrest or a management ultimatum. Someone quits the band or gets fired. The band is too big and probably owes too much money to the record company to stop, so a new member is brought in and they soldier on.
It is just like most families. The only difference is that you tend to move out of the house at some point after you become adults. Has anyone been in a confined space like an RV with their family when everyone was an adult? How did that go? Pretty well if you drove for three or fewer hours. If it was longer, I bet you were ready to leave the band when it was over or maybe fire a couple of members. The only problem is that you and I cannot plug DJ Ashba or Wolfgang Van Halen into the chairs around our Thanksgiving tables.
I think it was Joe Perry from Aerosmith who once told his drummer that they did not have to be friends to be in a band together. This may be a cold, heartless thing to say, but it is the truth.
Based on all of this, I will give this advice to those in bands today: Try not to spend all of your free time with your band mates. Find other interests, even a side band or doing solo music. Make every rehearsal and show a reunion, so you do not have to have one for the wrong reasons later. It has been said that if you love what you do, you will never work a day in your life. Unfortunately, this does not apply to the music industry. That is why very few bands survive anymore. I will get into that more in later blogs. For now, remember the two rules some very wise friends shared with me. One: Less is more. This applies to every facet of music except, of course, for volume. Two: Look for quality rather than quantity. This applies to music and just about everything else.
Don Van Dyke
STONER: The end is near, but first – Six String Heroes in Quincy
Jan 30th
OK, this is the final blog for me. Next up is the Don Van Dyke show. I appreciate Jess at the Local Q asking me to write the blog for a couple months and for all the kind words from those on Facebook that read my ramblings.
Those of you that know me, know that I’m originally from Quincy, but moved to St. Louis about 10 years ago. I worked too many hours and traveled way too much the first five years here and decided I needed to make some changes in my life. I decided that I really wanted to spend more time with my family and that I wanted to focus more on helping people, rather than making money. Easy to say but much harder to do. I was able to start teaching online college classes, which meant working from home — great start — but was still looking for a way to help people.
A couple of years ago, I saw a story in a guitar magazine about a national organization called Guitars for Vets, which taught military veterans how to play guitar to help them with PTSD, depression, memory issues, and other problems. A chaplain named JR Harris at Jefferson Barracks in St. Louis had recently started a chapter, so I decided that was my calling. Combining my love of guitar with helping veterans — there couldn’t possibly be a better mix for me. I met with JR, Kevin Sullivan, and army veteran, Derek Milles, who were all teaching in the program and it felt like home the first night.
Fast forward six months and we were doing some great things for Veterans in St. Louis, however, Guitars For Vets had some growing pains and we were in high growth mode in St. Louis, so we decided to go it alone. By this time, JR had been transferred to Las Vegas and army veteran Mike Petty had started to help. We decided by going it alone, we could raise money locally and keep the funds in St. Louis to grow and run our own program. Six String Heroes at Jefferson Barracks was born on Feb. 22, 2011.
I’m proud to say that almost immediately after starting the program, the great folks in Quincy were supporting our efforts. In addition to various donations directly to me on my visits back to Quincy, Second String Music and the Vancil Performing Arts Center sold about 150 shirts and took in about 15 guitars in the last eight months.
I wrote a blog post about the reality of music therapy a few weeks ago. In it, I said that I see that it’s real every week when I give guitar lessons to veterans. We’ve had comments such as, “this is the best part of my week, I never thought I ‘d look forward to Monday nights (our lesson nights),” ”I’m glad the program is there, I’m a lot more focused on my actual life now.” I’ve been stopped in my tracks and fought back tears when I tried to explain to a student that he’s putting his fingers in the wrong place for a chord and then noticed that the top half of one of his fingers is missing from a mortar blast, so he has adjusted to using his remaining fingers to fret the chord. That same student has helped me change my entire outlook on life in a positive way, so I definitely get as much as I give.
I’m proud to announce that in conjunction with Second String Music’s one year anniversary (the day after ours), we have implemented a Quincy chapter of Six String Heroes. Second String Music and the Vancil Performing Arts Center will be working together to provide lessons to qualified veterans and Six String Heroes will be providing the guitars and accessories for the program.
The basics of the program are:
1) The program is designed to help military veterans, who as a result of their military service are suffering from PTSD, depression, battle fatigue, memory issues, social anxiety, a physical injury, or similar problem.
2) The first step to enter the program is to fill out an application available from Second String Music or by e-mailing Six String Heroes at sshstl@gmail.com.
3) If all criteria are met, the veteran schedules their lessons with Second String Music and receives 6 free guitar lessons. A loaner student guitar is provided by Six String Heroes for the lessons. After the 6 lessons, the veteran is awarded their own new guitar, a gig bag (case), and accessories and is encouraged to continue on with their lessons or join a guitar group in order to continue learning.
All guitars and funding to Six String Heroes is provided through personal donations. A Quincy benefit is being planned for June 30, 2012, at Turner Hall. Please make plans to attend and contact us at sshstl@gmail.com if you would like to help in any way.
May your seas be still and your sky be blue,
Steve Stoner















